The octopus : $b or, The "devil-fish" of fiction and of factLee, Henry
Science
The octopus : $b or, The "devil-fish" of fiction and of fact
Lee, Henry
Cephalopoda; Cuttlefish; Octopuses; Squids
Meanwhile Lathierry had seen from his window the funnel of the
“Durande” standing at the old moorings; and, scarcely believing his
eyes, rushed to the harbour bell, and rang it long and violently.
Amongst those who appeared was Gilliatt, who, accompanying him to
his home, laid before him the bank-notes and Clubin’s belt. The
old man, wild with joy, confirmed his offer of his daughter’s hand
to the man who had so nobly won his gratitude. But Gilliatt, to his
astonishment, refused her: he knew that her affections were pledged
to another, and determined in his own mind that she should marry the
man of her choice. The next morning he met the lovers, and, with
feverish haste, insisted on the immediate performance of the marriage
ceremony; dragged them to the church, where, by an artifice, he
substituted his rival for himself as bridegroom, and then hurried
them on board the packet-boat which was just setting sail. His work
accomplished, the desperate man locked up his house, and strode
along the shore to a point of land close to which the vessel bearing
Ebenezer and Deruchette must pass. At its extremity was a kind of
“lovers’ seat,” called the “Chaise Gild-Holm’-Ur,” covered by the sea
at every tide, and near to which he had once rescued the young curé
from drowning. There he sat, watching the craft, on the deck of which
he could see the newly-wedded pair. It advanced nearer; the tide
rose to his ankles:—it came opposite to him; the water reached his
waist:—it passed: he watched and watched, and the tide rose and rose,
until, as the vessel was lost to view, his head disappeared beneath
the waves.
CHAPTER IV.
THE DEVIL-FISH OF FICTION AND OF FACT.
Bearing in mind that the famous story of “The Toilers of the Sea”
should be regarded as a romance and not as a scientific treatise, I
will now endeavour to compare the “devil-fish” of the author with
the octopus of nature, and to indicate the points on which M. Hugo’s
representation of his “monster” is either substantially correct,
partly true, or entirely unreal.
Public-domain text, read in full here on John Shaqi.
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