Racially mixed people -- Fiction; Slavery -- Louisiana -- History -- 19th century -- Fiction
She told Don Juan that she was an orphan, homeless, penniless, and
friendless, glad to leave the shores of her sunny France for the
chances of finding better fortune in the New World.
"And I have found better fortune," she would say, lifting her
expressive eyes to the dark face of her haughty employer; "for where
could I have hoped to meet a nobler patron, or to find dearer friends
or a happier home than I have here. Ah, bless you, noble Spaniard, for
your goodness to the helpless stranger."
It was in the summer that Pauline Corsi first came to Villa Moraquitos,
and it was in the winter of the same year that Don Tomaso Crivelli
expired in the arms of his brother-in-law.
We must request the reader to bear this in mind, for on the truth of
certain dates hangs much of the tale of mystery and crime which we are
about to reveal.
The gossips of New Orleans were ready to insinuate that the Spaniard's
heart would surely be in a little danger from the presence of so young
and lovely a woman as the French governess, but they soon grew tired
of whispering this, for it was speedily perceived by all who knew Don
Juan Moraquitos that his heart was buried in the mausoleum of his fair
young wife, Olympia, and that all the love of which his proud nature
was capable of was lavished on his only child.
Some girls in the position of Pauline Corsi might have nourished
ambitious hopes, and might have angled for the heart and hand of the
wealthy Spaniard; but it was impossible to suspect the light-hearted
and frivolous young Frenchwoman of the mean vices of the schemer. She
was a thing of sunshine and gladness--gay and heedless as the birds
she tended in her chamber, careless of the morrow as the flower that
perfumed her balcony. So thought all who knew Pauline Corsi.
Did any of them know her rightly?
The hideous skeleton, Time, whose bony hand lifts, inch by inch and day
by day, the dark and pall-like curtain that hangs before the vast stage
of the future, can alone answer this question.
Camillia Moraquitos was much attached to her old governess. All her
varied accomplishments she owed to Mademoiselle Corsi; and, far too
generous and high-minded to consider the handsome salary paid to the
Frenchwoman a sufficient recompense for her services, she looked upon
Pauline's devotion to her as an obligation which could only be paid by
gratitude and affection.
The young heiress had often endeavored to bestow some handsome present
upon her instructress (a valuable article of jewelry--a ring, a chain,
a bracelet), but always to be firmly, though kindly repulsed.
"No, Camillia," Mademoiselle Corsi would reply, "I will take no gift
from you but affection--that is a priceless treasure. Bestow that upon
me, and you would amply reward me for a lifetime of devotion; the brief
years I have given to your instruction have been more than repaid by my
pupil's love."
Public-domain text, read in full here on John Shaqi.
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