Racially mixed people -- Fiction; Slavery -- Louisiana -- History -- 19th century -- Fiction
"Yes; you have not one friend in this house, save her who now speaks
to you. Camillia loves you, you will answer! Yes; but with the feeble
passion of a capricious beauty, which may change with to-morrow's sun.
How long, think you, will her love endure when she hears every creature
in New Orleans brand you as a thief and ingrate? Will it outlast the
hour when she sees you placed in a criminal dock, side by side, with
the lowest thief in the city? Will it survive degradation and shame?
No; Camillia Moraquitos is proud, and from the hour that you leave this
house with the clanking fetters on your wrists, she will despise and
hate you--hate you for the very memory of her past love."
Paul Lisimon knew the pride which formed the leading principle in
Camillia's character, and he felt that there might be truth in these
bitter words.
"Oh, Heaven," he cried, "this is indeed terrible!"
"Hear me, Paul. It is in my power to save you from these fetters and
this shame. It is in my power to bring Silas Craig and his haughty
employer, Don Juan Moraquitos, groveling to your feet to implore you
for mercy--to entreat your forbearance to save them from the fate of a
felon."
"You are mad!" exclaimed Paul. "What in mercy's name mean you by these
words?"
"Listen to me, Paul Lisimon, for these few minutes, bought from the
vigilance of the officer without yonder door, must decide the fate of
both of us. Thirteen years ago, Don Tomaso Crivelli expired in the
arms of his brother-in-law, in an apartment at the end of the gallery
outside this door. You have often been in that room."
"I have. It is sacred to me, for it was there my earliest friend
breathed his last sigh."
"That chamber is hung with Indian embroidery of shells and feathers
upon leather. These hangings are about two feet from the wall, leaving
an aperture behind large enough to admit of a slender person's hiding
behind the embroidery. On the night of your benefactor's death I was
concealed behind these hangings."
"You, a spy? But for what reason?"
"Don't doubt that I had my reason--reasons which at some future time I
will reveal. When I carried the child Camillia to her uncle's bedside I
heard a few words dropped which excited my curiosity; to gratify that
curiosity I concealed myself at eleven o'clock that night behind the
hangings of the dying man's bed-chamber. There I heard Tomaso Crivelli
dictate his last will and testament to the lawyer, Silas Craig, in
the presence of your father. The signature to that will was afterward
witnessed by two persons, one a creature of the attorney's, the other a
dependent of Don Juan Moraquitos."
"But what has all this to do with me?" asked Paul.
"It might have much to do with you. That night I learned a secret--"
"A secret!"
"Yes; and one by the aid of which I can save you from shame and
humiliation, and elevate you to the proudest position even your haughty
spirit could devise."
"You can do all this?"
"I can."
"And you will?"
"On one condition."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account