The Octoroon; or, Life in Louisiana. A Play in Five acts — John Shaqi
The Octoroon; or, Life in Louisiana. A Play in Five actsBoucicault, Dion
General
The Octoroon; or, Life in Louisiana. A Play in Five acts
Boucicault, Dion
Enslaved persons -- Drama; Louisiana -- Drama; Love -- Drama; Plantations -- Drama; Racially mixed women -- Drama; Slavery -- Drama
[Wahnotee _runs on, pulls down apron--sees_ Paul, _lying on ground--
speaks to him--thinks he's shamming sleep--gesticulates and jabbers--
goes to him--moves him with feet, then kneels down to rouse him--to
his horror finds him dead--expresses great grief--raises his eyes--
they fall upon the camera--rises with savage growl, seizes tomahawk
and smashes camera to pieces, then goes to Paul--expresses grief,
sorrow, and fondness, and takes him in his arms to carry him away.--
Tableau._]
END OF THE SECOND ACT.
ACT III.
_A Room in Mrs. Peyton's house; entrances,_ R. U. E. _and_
L. U. E.--_An Auction Bill stuck up,_ L.--_chairs,_ C., _and tables,_
R. _and_ L.
Solon _and_ Grace _discovered._
_Pete._ [_Outside,_ R. U. E.] Dis way--dis way.
_Enter_ Pete, Pointdexter, Jackson, Lafouche, _and_ Caillou, R. U. E.
_Pete._ Dis way, gen'l'men; now Solon--Grace--dey's hot and
tirsty--sangaree, brandy, rum.
_Jackson._ Well, what d'ye say, Lafouche--d'ye smile?
_Enter_ Thibodeaux _and_ Sunnyside, R. U. E.
_Thibo._ I hope we don't intrude on the family.
_Pete._ You see dat hole in dar, sar. [R. U. E.] I was raised on dis
yar plantation--neber see no door in it--always open, sar, for
stranger to walk in.
_Sunny._ And for substance to walk out.
_Enter_ Ratts, R. U. E.
_Ratts._ Fine southern style that, eh!
_Lafouche._ [_Reading bill._] "A fine, well-built old family mansion,
replete with every comfort."
_Ratts._ There's one name on the list of slaves scratched, I see.
_Lafouche._ Yes; No. 49, Paul, a quadroon boy, aged thirteen.
_Sunny._ He's missing.
_Point._ Run away, I suppose.
_Pete._ [_Indignantly._] No, sar; nigger nebber cut stick on
Terrebonne; dat boy's dead, sure.
_Ratts._ What, Picayune Paul, as we called, him, that used to come
aboard my boat?--poor little darkey, I Hope not; many a picayune he
picked up for his dance and nigger-songs, and he supplied our table
with fish and game from the Bayous.
_Pete._ Nebber supply no more, sar--nebber dance again. Mas'r Ratts,
you hard him sing about de place where de good niggers go, de last
time.
_Ratts._ Well!
_Pete._ Well, he gone dar hisself; why, I tink so--'cause we missed
Paul for some days, but nebber tout nothin' till one night dat Injiun
Wahnotee suddenly stood right dar 'mongst us--was in his war paint,
and mighty cold and grave--he sit down by de fire. "Whar's Paul?" I
say--he smoke and smoke, but nebber look out ob de fire; well knowing
dem critters, I wait a long time--den he say, "Wahnotee, great
chief;" den I say nothing--smoke anoder time--last, rising to go, he
turn round at door, and say berry low--O, like a woman's voice, he
say, "Omenee Pangeuk,"--dat is, Paul is dead--nebber see him since.
_Ratts._ That red-skin killed him.
_Sunny._ So we believe; and so mad are the folks around, if they
catch the red-skin they'll lynch him sure.
Public-domain text, read in full here on John Shaqi.
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