The Octoroon; or, Life in Louisiana. A Play in Five actsBoucicault, Dion
General
The Octoroon; or, Life in Louisiana. A Play in Five acts
Boucicault, Dion
Enslaved persons -- Drama; Louisiana -- Drama; Love -- Drama; Plantations -- Drama; Racially mixed women -- Drama; Slavery -- Drama
_Zoe._ O! good, good nurse; you will, you will.
_Dido._ No--g'way.
_Zoe._ Then I shall never leave Terrebonne--the drink, nurse; the
drink; that I may never leave my home--my dear, dear home. You will
not give me to that man? Your own Zoe, that loves you, aunty, so
much, so much.--[_Gets phial._] Ah! I have it.
_Dido._ No, missey. O! no--don't.
_Zoe._ Hush! [_Runs off,_ L. 1. E.
_Dido._ Here, Solon, Minnie, Grace.
_They enter._
_All._ Was de matter?
_Dido._ Miss Zoe got de pizen. [_Exit,_ L.
_All._ O! O!
_Exeunt,_ L.
Scene II.--_Cane-brake Bayou.--Bank,_ C.--_Triangle Fire,_
R. C.--_Canoe,_ C.--M'Closky _discovered asleep._
_M'Closky._ Burn, burn! blaze away! How the flames crack. I'm not
guilty; would ye murder me? Cut, cut the rope--I choke--choke!--Ah!
[_Wakes._] Hello! where am I? Why, I was dreaming--curse it! I can
never sleep now without dreaming. Hush! I thought I heard the sound
of a paddle in the water. All night, as I fled through the
cane-brake, I heard footsteps behind me. I lost them in the cedar
swamp--again they haunted my path down the bayou, moving as I moved,
resting when I rested--hush! there again!--no; it was only the wind
over the canes. The sun is rising. I must launch my dug-out, and put
for the bay, and in a few hours I shall be safe from pursuit on board
of one of the coasting schooners that run from Galveston to
Matagorda. In a little time this darned business will blow over, and
I can show again. Hark! there's that noise again! If it was the ghost
of that murdered boy haunting me! Well--I didn't mean to kill him,
did I? Well, then, what has my all-cowardly heart got to skeer me so
for? [_Music._]
[_Gets in canoe and rows off,_ L.--Wahnotee _paddles canoe on,_
R.--_gets out and finds trail--paddles off after him,_ L.]
Scene III.--_Cedar Swamp._
_Enter_ Scudder _and_ Pete, L. 1. E.
_Scud._ Come on, Pete, we shan't reach the house before midday.
_Pete._ Nebber mind, sar, we bring good news--it won't spile for de
keeping.
_Scud._ Ten miles we've had to walk, because some blamed varmin
onhitched our dug-out. I left it last night all safe.
_Pete._ P'r'aps it floated away itself.
_Scud._ No; the hitching line was cut with a knife.
_Pete._ Say, Mas'r Scudder, s'pose we go in round by de quarters and
raise de darkies, den dey cum long wid us, and we 'proach dat ole
house like Gin'ral Jackson when he took London out dar.
_Scud._ Hello, Pete, I never heard of that affair.
_Pete._ I tell you, sar--hush!
_Scud._ What? [_Music._]
_Pete._ Was dat?--a cry out dar in de swamp--dar agin!
_Scud._ So it is. Something forcing its way through the
undergrowth--it comes this way--it's either a bear or a runaway
nigger. [_Draws pistol_--M'Closky _rushes on and falls at_ Scudder's
_feet._]
_Scud._ Stand off--what are ye?
_Pete._ Mas'r Clusky.
_M'Closky._ Save me--save me! I can go no farther. I heard voices.
_Scud._ Who's after you?
Public-domain text, read in full here on John Shaqi.
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