The Octoroon; or, Life in Louisiana. A Play in Five acts — John Shaqi
The Octoroon; or, Life in Louisiana. A Play in Five actsBoucicault, Dion
General
The Octoroon; or, Life in Louisiana. A Play in Five acts
Boucicault, Dion
Enslaved persons -- Drama; Louisiana -- Drama; Love -- Drama; Plantations -- Drama; Racially mixed women -- Drama; Slavery -- Drama
_Zoe._ You see how easily I have become reconciled to my fate--so it
will be with you. You will not forget poor Zoe! but her image will
pass away like a little cloud that obscured your happiness a
while--you will love each other; you are both too good not to join
your hearts. Brightness will return amongst you. Dora, I once made
you weep; those were the only tears I caused any body. Will you
forgive me?
_Dora._ Forgive you--[_Kisses her._]
_Zoe._ I feel you do, George.
_George._ Zoe, you are pale. Zoe!--she faints!
_Zoe._ No; a weakness, that's all--a little water. [_Dora gets
water._] I have a restorative here--will you poor it in the glass?
[Dora _attempts to take it._] No; not you--George. [George _pours
contents of phial in glass._] Now, give it to me. George, dear
George, do you love me?
_George._ Do you doubt it, Zoe?
_Zoe._ No! [_Drinks._]
_Dora._ Zoe, if all I possess would buy your freedom, I would gladly
give it.
_Zoe._ I am free! I had but one Master on earth, and he has given me
my freedom!
_Dora._ Alas! but the deed that freed you was not lawful.
_Zoe._ Not lawful--no--but I am going to where there is no law--where
there is only justice.
_George._ Zoe, you are suffering--your lips are white--your cheeks
are flushed.
_Zoe._ I must be going--it is late. Farewell, Dora. [_Retires._]
_Pete._ [_Outside,_ R.] Whar's Missus--whar's Mas'r George?
_George._ They come.
_Enter_ Scudder.
_Scud._ Stand around and let me pass--room thar! I feel so big with
joy, creation ain't wide enough to hold me. Mrs. Peyton, George
Peyton, Terrebonne is yours. It was that rascal M'Closky--but he got
rats, I avow--he killed the boy, Paul, to rob this letter from the
mail-bags--the letter from Liverpool you know--he sot fire to the
shed--that was how the steamboat got burned up.
_Mrs. P._ What d'ye mean?
_Scud._ Read--read that. [_Gives letter._]
_George._ Explain yourself.
_Enter_ Sunnyside.
_Sunny._ Is it true?
_Scud._ Every word of it, Squire. Here, you tell it, since you know
it. If I was to try, I'd bust.
_Mrs. P._ Read, George. Terrebonne is yours.
_Enter_ Pete, Dido, Solon, Minnie, _and_ Grace.
_Pete._ Whar is she--whar is Miss Zoe?
_Scud._ What's the matter?
_Pete._ Don't ax me. Whar's de gal? I say.
_Scud._ Here she is--Zoe!--water--she faints.
_Pete._ No--no. 'Tain't no faint--she's a dying, sa; she got pison
from old Dido here, this mornin'.
_George._ Zoe.
_Scud._ Zoe! is this true?--no, it ain't--darn it, say it ain't. Look
here, you're free, you know nary a master to hurt you now; you will
stop here as long as you're a mind to, only don't look so.
_Dora._ Her eyes have changed color.
_Pete._ Dat's what her soul's gwine to do. It's going up dar, whar
dere's no line atween folks.
_George._ She revives.
_Zoe._ [_On sofa,_ C.] George--where--where--
_George._ O, Zoe! what have you done?
_Zoe._ Last night I overheard you weeping in your room, and you said,
"I'd rather see her dead than so!"
Public-domain text, read in full here on John Shaqi.
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