The Octoroon; or, Life in Louisiana. A Play in Five actsBoucicault, Dion
General
The Octoroon; or, Life in Louisiana. A Play in Five acts
Boucicault, Dion
Enslaved persons -- Drama; Louisiana -- Drama; Love -- Drama; Plantations -- Drama; Racially mixed women -- Drama; Slavery -- Drama
_M'Closky._ O, how d'ye do, sir? [_Offers hand,_ George _bows
coldly,_ R. C.] [_aside._] A puppy, if he brings any of his European
airs here we'll fix him.--[_Aloud._] Zoe, tell Pete to give my mare a
feed, will ye?
_George._ [_Angrily._] Sir.
_M'Closky._ Hillo! did I tread on ye?
_Mrs. P._ What is the matter with George?
_Zoe._ [_Takes fan from_ Minnie.] Go, Minnie, tell Pete; run! [_Exit_
Minnie, R.
_Mrs. P._ Grace, attend to Mr. M'Closky.
_M'Closky._ A julep, gal, that's my breakfast, and a bit of cheese,
_George._ [_Aside to_ Mrs. Peyton.] How can you ask that vulgar
ruffian to your table?
_Mrs. P._ Hospitality in Europe is a courtesy; here, it is an
obligation. We tender food to a stranger, not because he is a
gentleman, but because he is hungry.
_George._ Aunt, I will take my rifle down to the Atchafalaya. Paul
has promised me a bear and a deer or two. I see my little Nimrod
yonder, with his Indian companion. Excuse me ladies. Ho! Paul!
[_Enters house._]
_Paul._ [_Outside._] I'ss, Mas'r George.
_Enter_ Paul, R. U. E., _with_ Indian, _who goes up._
_Sunny._ It's a shame to allow that young cub to run over the Swamps
and woods, hunting and fishing his life away instead of hoeing cane.
_Mrs. P._ The child was a favorite of the judge, who encouraged his
gambols. I couldn't bear to see him put to work.
_George._ [_Returning with rifle._] Come, Paul, are you ready?
_Paul._ I'ss, Mas'r George. O, golly! ain't that a pooty gun.
_M'Closky._ See here, you imps; if I catch you, and your red skin
yonder, gunning in my swamps, I'll give you rats, mind; them
vagabonds, when the game's about, shoot my pigs.
[_Exit_ George _into house._]
_Paul._ You gib me rattan, Mas'r Clostry, but I guess you take a berry
long stick to Wahnotee; ugh, he make bacon of you.
_M'Closky._ Make bacon of me, you young whelp. Do you mean that I'm a
pig? Hold on a bit. [_Seizes whip, and holds_ Paul.]
_Zoe._ O, sir! don't, pray, don't.
_M'Closky._ [_Slowly lowering his whip,_] Darn you, red skin, I'll
pay you off some day, both of ye. [_Returns to table and drinks._]
_Sunny._ That Indian is a nuisance. Why don't he return to his nation
out West.
_M'Closky._ He's too fond of thieving and whiskey.
_Zoe._ No; Wahnotee is a gentle, honest creature, and remains here
because he loves that boy with the tenderness of a woman. When Paul
was taken down with the swamp fever the Indian sat outside the hut,
and neither ate, slept, or spoke for five days, till the child could
recognize and call him to his bedside. He who can love so well is
honest--don't speak ill of poor Wahnotee.
_Mrs. P._ Wahnotee, will you go back to your people.
_Wahnotee._ Sleugh.
_Paul._ He don't understand; he speaks a mash-up of Indian and
Mexican. Wahnotee Patira na sepau assa wigiran.
_Wahnotee._ Weal Omenee.
_Paul._ Says he'll go if I'll go with him. He calls me Omenee, the
Pigeon, and Miss Zoe is Ninemoosha, the Sweetheart.
_Wahnotee._ [_Pointing to_ Zoe.] Ninemoosha.
Public-domain text, read in full here on John Shaqi.
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