The Octoroon; or, Life in Louisiana. A Play in Five actsBoucicault, Dion
General
The Octoroon; or, Life in Louisiana. A Play in Five acts
Boucicault, Dion
Enslaved persons -- Drama; Louisiana -- Drama; Love -- Drama; Plantations -- Drama; Racially mixed women -- Drama; Slavery -- Drama
_M'Closky._ Stop.
_Enter_ Scudder, R.
_Scud._ Let her pass.
_M'Closky._ Eh?
_Scud._ Let her pass! [_Takes out his knife._] [_Exit_ Zoe _to
house._
_M'Closky._ Is that you, Mr. Overseer? [_Examines paper._]
_Scud._ Yes, I'm here, somewhere, interferin'.
_M'Closky._ [_Sitting,_ R. C.] A pretty mess you've got this estate
in--
_Scud._ Yes--me and Co.--we done it; but, as you were senior partner
in the concern, I reckon you got the big lick.
_M'Closky._ What d'ye mean.
_Scud._ Let me proceed by illustration. [_Sits,_ R.] Look thar!
[_Points with knife off,_ R.] D'ye see that tree?--it's called a live
oak, and is a native here; beside it grows a creeper; year after year
that creeper twines its long arms round and round the tree--sucking
the earth dry all about its roots--living on its life--overrunning
its branches, until at last the live oak withers and dies out. Do you
know what the niggers round here call that sight? they call it the
Yankee hugging the Creole. [_Sits._]
_M'Closky._ Mr. Scudder, I've listened to a great many of your
insinuations, and now I'd like to come to an understanding what they
mean. If you want a quarrel--
_Scudder._ No, I'm the skurriest crittur at a fight you ever see; my
legs have been too well brought up to stand and see my body abused;
I take good care of myself, I can tell you.
_M'Closky._ Because I heard that you had traduced my character.
_Scud._ Traduced! Whoever said so lied. I always said you were the
darndest thief that ever escaped a white jail to misrepresent the
North to the South.
_M'Closky._ [_Raises hand to back of his neck._] What!
_Scud._ Take your hand down--take it down. [M'Closky _lowers his
hand._] Whenever I gets into company like yours, I always start with
the advantage on my side.
_M'Closky._ What d'ye mean?
_Scud._ I mean that before you could draw that bowie-knife, you wear
down your back, I'd cut you into shingles. Keep quiet, and let's talk
sense. You wanted to come to an understanding, and I'm coming thar as
quick as I can. Now, Jacob M'Closky, you despise me because you think
I'm a fool; I despise you because I know you to be a knave. Between
us we've ruined these Peytons; you fired the judge, and I finished
off the widow. Now, I feel bad about my share in the business. I'd
give half the balance of my life to wipe out my part of the work.
Many a night I've laid awake and thought how to pull them through,
till I've cried like a child over the sum I couldn't do; and you know
how darned hard 'tis to make a Yankee cry.
_M'Closky._ Well, what's that to me?
_Scud._ Hold on, Jacob, I'm coming to that--I tell ye, I'm such a
fool--I can't bear the feeling, it keeps at me like a skin
complaint, and if this family is sold up--
_M'Closky._ What then?
_Scud._ [_Rising._] I'd cut my throat--or yours--yours I'd prefer.
_M'Closky._ Would you now? why don't you do it?
Public-domain text, read in full here on John Shaqi.
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