ODD VOLUME; OR, BOOK OF VARIETY
By Various
Illustrated By Robert Seymour and Robert Cruikshank
The Engravings by Samuel Slader
1835
PREFACE.
Emboldened by the popularity of the late entertainment, entitled
“Cruikshank at Home,” an Odd Candidate for fame now enters the lists.
The greatest care having been taken to render the subjects which have
been selected as interesting as possible, this Volume may safely be
pronounced even _more_ attractive than either of its predecessors;
and the publisher has the additional pleasure of announcing that the
Engravings are the joint production of _two_ clever artists--the one,
Mr. Cruikshank, a long-established favorite *--the other, Mr. Seymour,
a gentleman of far superior talent, but hitherto not quite, perhaps, so
extensively known, in consequence of his short residence in London.
* These designs were originally intended for a fourth volume
of “Cruikshank at Home,” but, in consequence of the late
disagreement between the two brothers Cruikshank (in
reference to the question, “Which is the real Simon Pure?”)
the projected title has been changed, and the work, by the
assistance of Mr. Seymour, metamorphosed into an “Odd”
Volume.
[Illustration: 013]
As Mr. Seymour will have the entire management of all _future_
volumes--so far, at least, as relates to the Illustrations--this notice
is considered necessary for his formal introduction--it being a far
better channel than an ordinary Advertisement, and entirely superseding
the necessity for employing a BILL-STICKER.
THE ODD VOLUME
LEGEND OF THE LARGE MOUTH.
“Here’s a large mouth indeed!”
Shakspeare--King John.
Arriving one evening at an inn in Glasgow, I was shewn into a room which
already contained a promiscuous assemblage of travellers. Amongst the
rest, there was one whose features struck me as being the most horrible
I ever beheld. He was a large, pursy old man, with a head “villainous
low,” hair like bell-ropes, eyes that were the smallest and most porkish
of all possible eyes, and a nose which shewed no more prominence _en
profile_, than that of the moon as exhibited in her first quarter upon
a freemason’s apron; but all these monstrosities were as beauties--as
lovelinesses--as absolute perfections, compared with the mouth--the
enormous mouth, which, grinning beneath, formed a sort of rustic
basement to the whole superstructure of his facial horrors. This
mouth--if mouth it might be called, which had so little resemblance to
the mouths of mankind--turned full upon me as I entered; and, happening
at the moment to be employed in a yawn, actually seemed as if it would
have willingly received me into its prodigious crater, mumbled me to a
mummy, and then bolted me, spurs and all!
Public-domain text, read in full here on John Shaqi.
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