Epistolary fiction; Tramp shipping -- Fiction; World War, 1914-1918 -- Fiction
On land there were about fifty Boches with all their goods and
chattles--furniture, pianos, enormous trunks, a regular migration. The
Germans do very well in Morocco. They have all passed the military
age, for it is so written in their papers--the youngest was fifty. You
who are a physiognomist would have put him down at thirty-five. The
authorities ordered us to treat them with respect in accordance with
a section in the International Law, and to give them accommodation,
not as prisoners, but as passengers “under supervision.” Fourgues, who
hates underhand dealing, said that he was not going to inconvenience
the crew for the Boches and that he should put them on deck. Then he
was told to construct wooden shelters on the deck, for dormitories and
cabins. He said he had no wood for the purpose, so they sent him planks
and new joists and some military carpenters, and in forty-eight hours
the entire deck from the funnel to the stern was covered over with a
fine hutment. We looked like one of those wash-houses on the Seine.
But, Lor’ love you! that wasn’t all! There was the furniture of these
gentlemen, enough to fill a train, and they did not want it broken.
Fourgues had planned to pile it forward and then lash it above the main
hatch.
“You see, my boy,” he said to me, pulling his goatee, “there won’t be
much left of their gadgets if we get a good sou’-wester in our backs.
However, they can make matches with the remains.”
Unfortunately, in the first batch there was a piano. We slung and
hoisted it with tackle, and in spite of the swell it came aboard
pretty well and was just over the hatch. But as it began to descend,
blowed if the cable didn’t foul the winch and stop short, our piano
in the air. Three huge rollers came along, and everybody hung on to
keep from taking a toss. The piano swung once, then once again, and
then _bang_ on to the port railing. The lid and cover flew off. _Bang_
to starboard! The piano veered, the black and white keys chased each
other over the deck, the strings snapped one after the other like a
machine-gun, and the whole show smashed up. It looked like a burst
spring mattress. Fourgues was overcome with that laugh of his which
makes his tummy shake, and turned as red as a tomato. As for me, I
was laughing so much I could hardly stand up, and the crew howled
for joy. But the owner, a Boche in spectacles, raised the deuce. He
fired broadsides of insults at us, but fortunately he spoke in his
own disgusting language, for Fourgues was beginning to lose his hair
and would have chucked him overboard without hesitation if he had
understood a single word. It was just before the Marne and the Boches
were jeering at us to their hearts’ content. This particular one went
on land shaking his fist. We dumped what remained of the piano into the
sea and loaded the rest of the furniture. But the next day we received
an order to put all their stuff in the hold. A little tin-pot officer
Public-domain text, read in full here on John Shaqi.
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