He at once liked Chopin’s Funeral March. He entered profoundly into the
spirit of it. With the gun-metal levers he produced in a marvellous
fashion the long tragic roll of the drums, and by the manipulation of a
clutch he distilled into the chant at the graveside a melancholy
sweetness that rent the heart. The later crescendi were overwhelming.
And as he played there, with the bright blaze of the chandelier on his
fair hair and beard, and the blue cigar-smoke in his nostrils, and the
effluence of the gilded radiator behind him, and the intimacy of the
drawn window curtains and the closed and curtained door folding him in
from the world, and the agony of the music grieving his artistic soul to
the core--as he played there, he grew gradually happier and happier, and
the zest of existence seemed to return. It was not only that he felt
the elemental, unfathomable satisfaction of a male who is sheltered in
solitude from a pack of women that have got on his nerves; there was
also the more piquant assurance that he was behaving in a very sprightly
manner. How long was it since he had accomplished anything worthy of
his ancient reputation as a "card," as "the" card of the Five Towns? He
could not say; but now he knew that he was being a card again. The
whole town would smile and forgive and admire if it learnt that--
Nellie invaded the room. She had resumed the affray.
"Denry!" she reproached him, in an uncontrolled voice. "I’m ashamed of
you! I really am!" She was no longer doing the dignified. The mask
was off, and the unmistakable lineaments of the outraged mother
appeared. That she should address him as "Denry" proved the intensity
of her agitation. Years ago, when he had been made an alderman, his
wife and his mother had decided that "Denry" was no longer a suitable
name for him, and had abandoned it in favour of "Edward Henry."
He ceased playing.
"Why?" he protested, with a ridiculous air of innocence. "I’m only
playing Chopin. Can’t I play Chopin?"
He was rather surprised and impressed that she had recognised the piece
for what it was. But of course she did, as a fact, know something about
music, he remembered, though she never touched the "Pianisto."
"I think it’s a pity you can’t choose some other evening for your
funeral marches!" she exclaimed.
"If that’s it," said Edward Henry like lightning, "why did you stick me
out you weren’t afraid of hydrophobia?"
"I’ll thank you to come up-stairs," she replied with warmth.
"Oh, all right, my dear! All right!" he cooed.
And they went up-stairs in a rather solemn procession.
IV.
Public-domain text, read in full here on John Shaqi.
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