"Can you tell me what is the origin of the decay of realism? Can you
tell me that?"
Suddenly, in the ensuing silence, there was a click and a tiny electric
lamp shot its beam. The hand which held the lamp was the hand of Carlo
Trent. He raised it and flashed the trembling ray in the inquirer’s
face. Edward Henry recalled Carlo’s objection to excessive electricity
in the private drawing-room at Wilkins’s.
"Why do you ask such a question?" Carlo Trent challenged the enquirer,
brandishing the lamp. "I ask you why do you ask it?"
The other also drew forth a lamp and, as it were, cocked it and let it
off at the features of Carlo Trent. And thus the two stood, statuesque
and lit, surrounded by shadowy witnesses of the discussion.
The door creaked and yet another figure, silhouetted for an instant
against the illumination of the stage, descended into the
discussion-chamber.
Carlo Trent tripped towards the newcomer, bent with his lamp, lifted
delicately the hem of the newcomer’s trousers, and gazed at the colour
of his sock, which was blue.
"All right!" said he.
"The champagne and sandwiches are served," said the newcomer.
"You’ve not answered me, sir," Carlo Trent faced once more his opponent
in the discussion. "You’ve not answered me."
Whereupon, the lamps being extinguished, they all filed forth, the door
swung to of its own accord, shutting out the sound of babble from the
stage, and Edward Henry and Elsie April were left silent and solitary to
the sole ray of the street-lamp.
All the Five Towns shrewdness in Edward Henry’s character, all the
husband in him, all the father in him, all the son in him, leapt to his
lips and tried to say to Elsie, "Shall _we_ go and inspect the champagne
and sandwiches too?" and failed to say these incantatory words of
salvation!
And the romantic adventurous fool in him rejoiced at their failure. For
he was adventurously happy in his propinquity to that simple and sincere
creature. He was so happy, and his heart was so active, that he even
made no caustic characteristic comment on the singular behaviour of the
beings who had just abandoned them to their loneliness. He was also
proud because he was sitting alone nearly in the dark with a piquant and
wealthy, albeit amateur, actress who had just participated in a triumph
at which the spiritual aristocracy of London had assisted.
VI.
Public-domain text, read in full here on John Shaqi.
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