And yet Edward Henry, though he had delegated everything, had yet found
a vast amount of work to do; and was thereby exhausted. That was why he
was drumming on the pane. That was why he was conscious of a foolish
desire to shove his fist through the pane. During the afternoon he had
had two scenes with two representatives of the Libraries (so called
because they deal in theatre-tickets and not in books) who had declined
to take up any of his tickets in advance. He had commenced an action
against a firm of bill posters. He had settled an incipient strike in
the "limes" department, originated by Mr. Cosmo Clark’s views about
lighting. He had dictated answers to seventy-nine letters of complaint
from unknown people concerning the supply of free seats for the first
night. He had responded in the negative to a request from a newspaper
critic who, on the score that he was deaf, wanted a copy of the play.
He had replied finally to an official of the County Council about the
smoke trap over the stage. He had replied finally to another official of
the County Council about the electric sign. He had attended to a new
curiosity on the part of another official of the County Council about
the iron curtain. And he had been almost rude to still another official
of the County Council about the wiring of the electric light in the
dressing-rooms. He had been unmistakably and pleasurably rude in
writing to Slossons about their criticisms of the lock on the door of
Lord Woldo’s private entrance to the theatre. Also he had arranged with
the representative of the Chief Commissioner of Police concerning the
carriage regulations for "setting-down and taking-up."
Public-domain text, read in full here on John Shaqi.
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