No such effect had ever been seen in the Five Towns, and the felicity of
the audience exceeded all previous felicities. The audience yelled,
roared, shrieked, gasped, trembled, and punched itself in a furious
passion of pleasure. They make plates in the Five Towns. They live by
making plates. They understand plates. In the Five Towns a man will
carry not seven but twenty-seven dozen plates on a swaying plank for
eight hours a day, up steps and down steps, and in doorways and out of
doorways, and not break one plate in seven years! Judge, therefore, the
simple but terrific satisfaction of a Five Towns’ audience in the
hugeness of the calamity. Moreover, every plate smashed means a demand
for a new plate and increased prosperity for the Five Towns. The
grateful crowd in the auditorium of the Empire would have covered the
stage with wreaths if it had known that wreaths were used for other
occasions than funerals; which it did not know.
Fresh complications instantly ensued which cruelly cut short the
agreeable exercise of uncontrolled laughter. It was obvious that one of
the waiters was about to fall. And in the enforced tranquillity of a
new dread, every dyspeptic person in the house was deliciously conscious
of a sudden freedom from indigestion, due to the agreeable exercise of
uncontrolled laughter, and wished fervently that he could laugh like
that after every meal. The waiter fell; he fell through the large violet
hat and disappeared beneath the surface of a sea of crockery. The other
waiter fell too, but the sea was not deep enough to drown a couple of
them. Then the customers, recovering themselves, decided that they must
not be outclassed in this competition of havoc, and they overthrew the
table and everything on it, and all the other tables, and everything on
all the other tables. The audience was now a field of artillery which
nothing could silence. The waiters arose, and, opening the sideboard,
disclosed many hundreds of unsuspected plates of all kinds, ripe for
smashing. Niagaras of plates surged on to the stage. All four
performers revelled and wallowed in smashed plates. New supplies of
plates were constantly being produced from strange concealments, and
finally the tables and chairs were broken to pieces, and each object on
the walls was torn down and flung in bits on to the gorgeous general
debris, to the top of which clambered the violet hat, necklace, and
yellow petticoat, brandishing one single little plate, whose life had
been miraculously spared. Shrieks of joy in that little plate played
over the din like lightning in a thunder-storm. And the curtain fell.
It was rung up fifteen times, and fifteen times the quartette of
artists, breathless, bowed in acknowledgment of the frenzied and
boisterous testimony to their unique talents. No singer, no tragedian,
no comedian, no wit, could have had such a triumph, could have given
such intense pleasure. And yet none of the four had spoken a word.
Such is genius!
Public-domain text, read in full here on John Shaqi.
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