“At Allahabad I saw a juggler who made a specialty of this trick.
Having explained to the spectators what he proposed to do, he allowed
them to select a spot on the turf in the open air where the trick
should be performed. Here he stationed himself with a basket with
a hinged lid at his feet, a little boy at his side, and a sharp
sword in one hand. He wore nothing but a breech clout. The company
surrounded the conjurer in a circle so close that there was no
possibility for any person to pass it without detection. The juggler
placed the child in the basket, closed the lid, and began muttering
a seeming incantation. While still praying he wound a large white
cloth about his arm, and suddenly threw it over the basket, binding
one end. He then drew the cloth towards him, brought it up around
his waist and tucked the end in his clout, leaving a portion to hang
down in front in graceful folds. This much done, he plunged the sword
through the basket. As the child’s agonizing cries were heard, the
man drew back the sword all dripping with blood. Again and again
was the sword thrust into the basket, the child’s heart-rending
screams growing fainter and fainter until they ceased altogether.
The Fakir asked that the basket be examined. It was opened and found
to be empty. A gleeful shout was heard. The spectators looked in
the direction from whence it came, and there sat the child on the
limb of a small {247} tree, waving his arms and seeming as happy as
a bird. I paid the thaumaturgist two rupees (one dollar) and the
secret of the trick was explained to me. I marveled at first that
the man was willing to reveal the mystery for so small a sum, but
I soon discovered that only those who wore the Indian juggler’s
costume, the breech clout, could perform it. The trick is done in
this way: When the cloth is spread the boy slips out of the basket
under the friendly cover of the linen, and crawls under the Fakir.
Grasping a strap about the man’s waist, he draws himself up between
the juggler’s legs. The cloth when brought about the Fakir’s waist
hides the little fellow, who, from his unexpected retreat, utters the
piercing shrieks of the dying child. With a sponge saturated with a
red liquid the conjurer produces the blood stains. When the people
rush forward to look into the basket, the boy slips from his place
of concealment and makes his presence manifest wherever he has been
directed to go.”
[Illustration]
{248}
Public-domain text, read in full here on John Shaqi.
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