“The rest is a very simple matter. The person who is to represent
the Sphinx is beforehand placed, duly attired, underneath the table.
There is a trap in the table through which he can pass his head at
the proper moment. This trap is a round piece of wood, covered to
match the surface of the table, and working on a hinge on the side
nearest to the audience. It has no spring, but is kept closed by
means of a button on the opposite side, and when released hangs down
perpendicularly. It must be large enough to allow the passage of
the somewhat elaborate headpiece of the Sphinx, and would therefore
leave an open space visible round the neck. This difficulty is met
by the expedient of having a wooden collar, the upper surface of
which is a facsimile in size and pattern of the trap. This collar is
fastened round the neck of the representative of the Sphinx. When
he lifts his head up through the trap, the collar exactly fills
the opening, and thus shows no break in the surface of the table.
The box is bottomless, and when brought forward by the performer
is empty. A little caution has to be observed in placing it upon
the table, for, if the performer were to approach the table _from
the side_, his legs would be reflected in the glass, and would
thereby betray the secret. He must therefore make his appearance
from some quarter _outside_ of the curtained recess, and advance to
a position well in front of, and at some little distance from the
table, when, by moving in a straight line from the audience towards
the middle leg _a_, he prevents this inconvenient reflection. The
placing the box upon the table, and the unlocking it, allow time
for the representative of the Sphinx to get his head into position
within it. This done, the box is opened, and the rest depends on the
dramatic talent of the performer and his assistant. The performance
being concluded, the box is again locked, and the head withdrawn, a
handful of ashes being introduced on the trap in its stead.
“The angle at which the two mirrors should be set cannot be
determined absolutely, but will vary according to the distance and
position of the surrounding drapery.”
Public-domain text, read in full here on John Shaqi.
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