A kind of sympathetic action is shown in the following experiment. A lighted lamp was deposited on a table. As soon as a spectator, stationed at a considerable distance, blew through a reed, the lamp was immediately extinguished. Another: a live dove was fastened, by means of two ribbons about its neck, to two opposite columns. On the instant when a picture of the dove, or even the shadow of the suspended bird, was pierced by a sword, the dove itself was beheaded, although it had not been disturbed, and the severed and still bleeding head, and the rest {27} of the body, fell separately to the ground. This experiment, called “Theophrastus Paracelsus,” recalls an old superstition, namely, that evil can be wrought upon a person by injury to a picture of him, accompanied by a spoken incantation. It is the so-called “Picture charm.” Fettering and binding experiments were shown, but of a simpler nature than modern ones. To each leg of the magician was fastened a ring, and through each ring an iron chain was passed, its ends locked on a pillar. “The Prisoner” seemed aided by some external power to release himself, for in a very short time he was free from his bonds. More difficult was another experiment, wherein a chain was fastened by a strip of cloth directly about the leg, and secured to the pillar; but here also, a half minute sufficed the “Galley Slave” to free himself of the shackles. The most pleasing was the following trick: Pinetti allowed both thumbs to be tied together with a cord, and his hands, so bound, to be covered with a hat; hardly was this done than he stretched out his right hand, seized a flask of wine and drank to the health of the person who had tied him, and tossed the emptied glass to the ceiling, whence it fell as a ball of finely-cut paper. At the same instant, he allowed the hat to fall, and displayed his hands, still as closely bound as at the beginning of the experiment.[6] Also, the well-known trick, in which several borrowed rings are passed over two ribbon bands, the ends of which are knotted together and held by some of the spectators; nevertheless the rings can be drawn off without severing the ribbons. This was hardly new, but merely a variation of a trick described in 1690, in a work by Ozanam, in his _Récréations Mathematiques_, and exhibited by the jugglers of that time under the name of “My Grandmother’s Rose Wreath.” They made use of small balls, strung on two cords, from which they were withdrawn, notwithstanding that the cords were held by strangers. To-day this trick is explained in most books of games and amusements, which fact does not hinder the public from being quite as much astounded when the feat is performed _à̱ la_ Pinetti, with rings or a watch, accompanied by clever patter. {28}