People pass and repass this ghost-house of the Rue Saint Claude every
day, but not one in a hundred knows that the great enchanter once
resided there and held high court. If those dumb walls could but
speak, what fascinating stories of superstition and folly they might
unfold to our wondering ears! Yes, in this ancient house, dating back
to pre-Revolutionary Paris, to the old régime, the great necromancer
known as Cagliostro lived in the zenith of his fame. In these golden
years of his life, was he never haunted by disturbing visions of the
dungeons of the Holy Inquisition, yawning to receive him? Ah, who can
tell? Thanks to the gossipy memoir writers of the period, I am able
to give a pen portrait, composite, if you will, of some of the scenes
that were enacted in the antiquated mansion.
It is night. The lanterns swung in the streets of old Paris glimmer
fitfully. Silence broods over the city with shadowy wings. No
sound is heard save the clank of the patrol on its rounds. The
Rue Saint Claude, however, is all bustle and confusion. A grand
“soirée magique” is being held at the house of Monsieur le Comte de
Cagliostro. Heavy old-fashioned carriages stand in front of the door,
with coachmen lolling sleepily on the boxes, and linkboys playing
rude games with each other in the kennel. A rumble in the street—ha,
there, lackeys! out of {84} the way! Here comes the coach of my
Lord Cardinal, Prince Louis de Rohan. There is a flash of torches.
Servants in gorgeous liveries of red and gold, with powdered wigs,
open the door of the vehicle, and let down the steps with a crash.
Monseigneur le Cardinal, celebrant of the mass in the royal palace at
Versailles, man of pleasure and alchemist, descends. He is enveloped
in a dark cloak, as if to court disguise, but it is only a polite
pretense. He enters the mansion of his bosom friend, Cagliostro the
magician. Within, all is a blaze of light. A life-size bust of the
divine Cagliostro ornaments the foyer. Visitors are received in a
handsomely furnished apartment on the second floor. Beyond that is
the séance-room, a mysterious chamber hung with somber drapery. Wax
candles in tall silver sconces, arranged about the place in mystic
pentagons and triangles, illuminate the scene.
Public-domain text, read in full here on John Shaqi.
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