Edgar Allen Poe, who wrote an exposé of the automaton when it
visited Richmond, remarked: “There is a man, Schlumberger, who
attends him (Maelzel) wherever he goes, but who has no ostensible
occupation other than that of assisting in packing and unpacking of
the automaton. Whether he professes to play chess or not, we are
not informed. It is quite certain, however, that he is never to be
seen during the exhibition of the Chess Player, although frequently
visible just before and after the exhibition. Moreover, some years
ago Maelzel visited Richmond with his automaton. Schlumberger was
suddenly taken ill, and during his illness there was no exhibition of
the Chess Player. These facts are well known to many of our citizens.
The reason assigned for the suspension of the Chess Player’s
performances was _not_ the illness of _Schlumberger_. The inferences
from all this we leave, without further comment, to the reader.”
Edgar Allen Poe, the apostle of mystery, certainly hit the nail on
the head here, and solved the problem of the automaton.
The Chess Player had the honor of defeating Napoleon the Great—“the
Victor in a hundred battles.” This was in the year 1809, when
Maelzel, by virtue of his office as Mechanician to the Court of
Austria, was occupying some portion of the Palace of Schönbrunn,
“when Napoleon chose to make the same building his headquarters
during the Wagram campaign.” A man by the name of Allgaier was the
concealed assistant on this occasion. Napoleon was better versed in
the art of manœuvring human kings, queens, prelates and pawns on the
great chess-boards of diplomacy and battle than moving ivory chessmen
on a painted table-top.
Maelzel, in addition to the Chess Player, exhibited his own
inventions, which were really automatons, also the famous panorama,
“The Burning of Moscow.” After a splendid tour throughout the States,
he went to Havana, Cuba, where poor Schlumberger died of yellow
fever. On the return trip Maelzel himself died, and was buried at
sea. This was in 1838.
The famous Turk, with other of Maelzel’s effects, was sold {112}
at public auction in Philadelphia. The automaton was bought by
Dr. J. K. Mitchell, reconstructed, and privately exhibited by him
for the amusement of his friends. Finally it was deposited in the
Chinese Museum, where it remained for fourteen years, with the dust
accumulating upon it. Here the Chess Player rested from his labors,
a superannuated, broken down pensioner, dreaming, if automatons can
dream, of his past adventures, until the year 1854. On July 5 of
that year a great fire destroyed the Museum, and the Turbaned Turk
was burnt to ashes. Better such a fate than rotting to pieces in the
cellar of some old warehouse, forgotten and abandoned.
Public-domain text, read in full here on John Shaqi.
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