SIR JO. Ay, ay, so were you too; no matter, ’tis past.
BLUFF. By the immortal thunder of great guns, ’tis false—he sucks not
vital air who dares affirm it to this face. [_Looks big_.]
SIR JO. To that face I grant you, Captain. No, no, I grant you—not to
that face, by the Lord Harry. If you had put on your fighting face
before, you had done his business—he durst as soon have kissed you, as
kicked you to your face. But a man can no more help what’s done behind
his back than what’s said—Come, we’ll think no more of what’s past.
BLUFF. I’ll call a council of war within to consider of my revenge to
come.
SCENE X.
HEARTWELL, SILVIA. _Silvia’s apartment_.
SONG.
As Amoret and Thyrsis lay
Melting the hours in gentle play,
Joining faces, mingling kisses,
And exchanging harmless blisses:
He trembling cried, with eager haste,
O let me feed as well as taste,
I die, if I’m not wholly blest.
[_After the song a dance of antics_.]
SILV. Indeed it is very fine. I could look upon ’em all day.
HEART. Well has this prevailed for me, and will you look upon me?
SILV. If you could sing and dance so, I should love to look upon you
too.
HEART. Why, ’twas I sung and danced; I gave music to the voice, and life
to their measures. Look you here, Silvia, [_pulling out a purse and
chinking it_] here are songs and dances, poetry and music—hark! how
sweetly one guinea rhymes to another—and how they dance to the music of
their own chink. This buys all t’other—and this thou shalt have; this,
and all that I am worth, for the purchase of thy love. Say, is it mine
then, ha? Speak, Syren—Oons, why do I look on her! Yet I must. Speak,
dear angel, devil, saint, witch; do not rack me with suspense.
SILV. Nay, don’t stare at me so. You make me blush—I cannot look.
HEART. O manhood, where art thou? What am I come to? A woman’s toy, at
these years! Death, a bearded baby for a girl to dandle. O dotage,
dotage! That ever that noble passion, lust, should ebb to this degree.
No reflux of vigorous blood: but milky love supplies the empty channels;
and prompts me to the softness of a child—a mere infant and would suck.
Can you love me, Silvia? Speak.
SILV. I dare not speak until I believe you, and indeed I’m afraid to
believe you yet.
HEART. Death, how her innocence torments and pleases me! Lying, child,
is indeed the art of love, and men are generally masters in it: but I’m
so newly entered, you cannot distrust me of any skill in the treacherous
mystery. Now, by my soul, I cannot lie, though it were to serve a friend
or gain a mistress.
SILV. Must you lie, then, if you say you love me?
HEART. No, no, dear ignorance, thou beauteous changeling—I tell thee I
do love thee, and tell it for a truth, a naked truth, which I’m ashamed
to discover.
Public-domain text, read in full here on John Shaqi.
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