probably expresses the truth. With his plays and his hackney coaches he doubtless got through his twenties and thirties with no very hardly grinding poverty, and at forty or so was comfortably secure. But another fact, which the dates bring out very sharply, has a different interest. At an age when Swift was beginning to try his powers, Congreve’s work was done. A few odes, a few letters he was still to write, but no more comedies. Was it ill-health? or because the town had all but damned his greatest play? or because he cared more for life than for art? III. The question brings one to an attempted appreciation of the man. Mr. Gosse, for whose _Life_ I would express my gratitude, confesses that ‘it is not very easy to construct a definite portrait of Congreve.’ But that it baffled that very new journalist, Mrs. Manley, in his own day, and Mr. Gosse, with his information, in ours, to give ‘salient points’ to Congreve’s character, proves in itself an essential characteristic, which need be negatively stated only by choice. That no amusing eccentricities are recorded, no ludicrous adventures, no persistent quarrels, implies, taken with other facts we know, that he was a well-bred man of the world, with the habit of society: that in itself is a definite personal quality. One supposes him an ease-loving man, not inclined to clown for the amusement of his world. He was loved by his friends, being tolerant, and understanding the art of social life. He was successful, and must therefore have had enemies, but he was careless to improve hostilities. For the temperament which is so plain in the best of his writings must have been present in his life—an unobtrusive, because a never directly implied, superiority and an ironical humour. The picture of swaggering snobbishness which Thackeray was inspired to make of him is proved bad by all that we know. A swaggerer could not have made a fast friend of Dryden—grown mellow, indeed, but by no means beggared of his fire—on his first coming to town, nor kept the intimacy of Swift, nor avoided the fault-finding of Dennis. It is quite unnecessary to suppose that Congreve’s famous remark to Voltaire, that he wished to be visited as a plain gentleman, was the remark (if it was made) of a snob: it was clearly a legitimate deprecation, spoken by a man who had written nothing notable for twenty-six years, which Voltaire misunderstood in a moment of stupidity, or in one of forgetfulness misrepresented. His superiority and his irony came from a just sense of the perspective of things, and, not preventing affection for his friends, left him indifferent to his foes. Probably, also, a course of dissipation (at which Swift hints) in his youth, acting on a temperament not particularly ardent, had left him with such passions for war and love as were well under control. The two women with whom his name is connected were Mrs. Bracegirdle and the