Henriette made a leisurely business of her toilet before the mirror.
Why shouldn't she? It was merely a fit expression of sincere gratitude
for nature's kindness. She might enjoy the grace of the movement of
her fingers in caressing expertness around the face that she saw as she
arranged her hair.
Helen come up from the kitchen with a blistered finger and her cheeks
hot from the oven heat, saw that same face looking back at her. Often
she had wished for some magic that would show a new one. Plain people,
she thought, ought at least to have a change of plain faces for
variety's sake. If others were as tired of her own as she was, she
wondered how anybody on earth could look at it except as a punishment.
As long as she knew that her face was clean, why should she pay any
attention to it? She might have made more of her hair, which fell
below her waist in abundant glory; but if she took pains with it she
had that face in front of her during the process. So she ever gave her
hair a hurried doing in order to escape enforced companionship with her
features. To-night they insisted on a prolonged glance of attention.
She made a grimace which was reflected back, and then she laughed at
the reflection, making light of her self-consciousness, only to become
more self-conscious and blushing, as if caught in a secret. For she
saw that she was at her best when she laughed. Then her mobile
features, including the lumpy nose, made harmony with the beaming
mischief of her eyes and the gleam of her regular teeth.
"If I wore a mask over my nose and a perpetual grin I might be an
advertisement for a dentist, at least!" she thought, only to purse out
her lips in a "Poof!" as she turned away from the mirror. Then a sigh,
whose prolongation apprised her of its existence and brought a shrug of
disgust. The next impulse turned her to some charcoal drawings on the
table--her own offspring. She loved them, punished them, disowned them
at intervals. Now she took up one after the other, critically turning
her head, wrinkling her brow, grumbling under her breath, and even
sticking out her tongue in indecorous fashion at her own handiwork.
"I never can!" she cried. "I'm no good! Oh, cusses!"
So long was she preoccupied with the inspection, oblivious of
seventeenth cousins and the strawberry shortcake thing, that she had to
"jump" into her gown when the gong sounded, which was no new thing for
her. It was not much of a gown. That being the case, why not jump
into it? If it appeared to be thrown on it would be more harmonious
with her style of beauty. What did it matter, anyway, when the harder
you tried to draw the worse you drew?
Public-domain text, read in full here on John Shaqi.
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