The trace of American blood in Madame Ribot's veins was only an echo,
yet its presence kept her from being entirely European. She had never
visited America; even her English had more than a touch of French
accent. America was vast, distant, noisy, and little concerned her.
Nothing much concerned her except her comfort. Her small, shrewd eyes
served the ends of a sluggish disposition. In girlhood they had not
kept her from being beautiful and in middle age they sat guardian over
her health and the business of preserving the freshness of features
which were strikingly like Henriette's.
Her phlegm, if phlegm it were, was reaction from days when she had
enjoyed Monte Carlo no less than Paris. They were days that she never
mentioned. Possibly they had brought prematurely the wrinkles which,
in a later phase, she massaged as unpleasant landmarks. She fought to
retain youth, while reliving it in Henriette.
M. Ribot, who was in the Argentine, belonged to the past, and the
income dating back to an arrangement between lawyers came regularly
from a lawyer and would come till her death or till she married again.
There had been a grandfather who lived in a villa overlooking the
Mediterranean. He had been fond of Henriette and said that his son,
Henriette's father, was a fool and a blackguard and his daughter-in-law
was a lucky, selfish, spoiled child. When he died he left Henriette an
independent fortune.
The rest was wrapped in mystery and eccentricity, with Helen a sort of
appendage. She and Henriette indistinctly remembered a quarrel between
their parents in an apartment in Paris, which they overheard from an
adjoining room without knowing what it meant. Later, the grandfather
came and the father went away, without Madame seeming to mind his
going. Helen did remember her mother saying to the father:
"You may have Helen, if you wish, but I shall keep Henriette;" and the
grandfather added: "Yes, she stays in France. I shall stay in France,
myself."
As the father would not have plain little Helen, the mother kept her.
After her separation from her husband, Madame Ribot settled in the
chateau at Mervaux and Henriette's money maintained a small apartment
in Paris, where the family went in winter that Henriette might study
painting; for all agreed that she had talent.
Helen wandered in the fields and talked to the peasants and kept on
trying to draw. Her only lessons were from an old artist who had
become interested in her when she was fifteen. His technique was
excellent. He knew how, but he could not do it, as he said.
"You keep on drawing and drawing," were his last words, "and don't
bother if any one thinks you an ugly duckling."
Public-domain text, read in full here on John Shaqi.
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