"Both my daughters are artists, and one paints," said Madame Ribot,
with the reflection of pride in the tribute which M. Vailliant had
instinctively paid to Henriette, some of whose paintings were on the
walls. Indeed, they were everywhere about the chateau. "I am rather
fond of this one, myself," she added, nodding toward a landscape which
faced the dealer. It had had honourable mention at the Salon, but it
had not sold.
Looking from Henriette to the picture and then back at Henriette, the
art dealer breathed an "Ah!" in a way that implied that a place in the
Salon was the obvious one for Henriette.
"Naturally, I know of your work," he said, with another bow.
"My daughter has never had an exhibition, though she has quite enough
pictures now," went on Madame Ribot. "There are others in the next
room. Perhaps you would like to see them, too."
Most charming Madame Ribot was when she was interested in any purpose,
and she led the way into the room, Henriette meantime standing in the
doorway and studying M. Valliant's face. Helen remained beside her
pile of charcoals, trying to resist the desire to fly to the fields
away from the whole business. She could feel her heart pounding and
her temples throbbing. When she had a glimpse of herself in the mirror
over the mantelpiece she realised that it was from herself that she
particularly wanted to escape.
"Excellent technique," M. Vailliant remarked. "But an exhibition of
paintings--that is a great undertaking. One of the big houses will
take you up one day and make your vogue. There is no hurry."
"It was mother who was speaking of the exhibition, not I," said
Henriette casually. "You came to see my sister's charcoals."
"So I did," agreed the dealer. "Charcoals are more in keeping with the
modest pretensions of my establishment. Quick returns and small
profits, as they say at the Bon Marché."
"You will stretch a point for her, won't you?" said Henriette, as she
drew aside to allow him to return to the other room. "She's worked so
hard and it means so much to her."
But Helen had overheard. A dash of red shot into her cheeks, as her
shoulders gave a nervous shrug. The dealer looked from the beautiful
to the plain girl with that sense of contrast between the two which
Helen had felt a thousand times.
"Where do I begin?" he asked, almost perfunctorily.
Some one had told Helen that one should blow one's own trumpet to an
art dealer; that many an artist had been started on a career by making
the most of his personality. But when she was conscious of how poor
her drawings were she could not play the herald of her own skill. As
for personality, one must have something to start with.
"Those four I picked out for the least bad," she said, handing them to
him.
Not a sign on the dealer's face, as he looked them through, while her
temples throbbed.
"More academic than the one I had seen--better drawing, but----" he
shook his head.
Public-domain text, read in full here on John Shaqi.
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