"You are to stay as long as you please," she went on. "If Longfield is
your American home and Truckleford your English home, then Mervaux is
your French."
"Not as long as I please," Phil replied. "One must have a sense of
self-denial."
"Very well said," she countered. It was worth while coming down to
breakfast to hear him say it. "Perhaps I shall insist that it be as
long as the hostess pleases. What then?"
Yes, what would he say to that? Her shrewd eyes reflected a teasing
spark which when she was young must have been as effectual as
Henriette's.
"But I might not know the signs," he said, "and mistake my pleasure for
yours."
"I should tell you."
"Does that mean that you think I should have to be told?" He was
enjoying this play of words as much as she.
"No, not you, cousin. You are the kind to whom one would always hate
to say _au revoir_ and could never say good-bye."
"This is almost a flirtation," said Henriette. "At least he must stay
till the portrait is finished. We shall start at once."
"I begin to feel awfully stuck on myself, as we say at home!" said
Phil. "Do I sit for both portraits at the same time?" he asked,
turning to Helen.
Henriette also looked at her sister rather quickly. Helen's eyes
smiled above her coffee cup, which hid the lump of nose; they, too, had
a teasing spark.
"No," she replied. "Oils take much longer than charcoal. Let
Henriette get started before I butt in. Isn't that it--butt in?"
"Yes, the correct American for your meaning--though a little archaic
now--but not for mine," he said. "I'm ready for all the artists. Let
them come."
"Not this morning," Helen concluded.
She had already put on her sun hat and gone when Madame Ribot smilingly
from the doorway watched Henriette and Phil, her easel under his arm,
going up the path. The bordering trees of the little estate were on a
terrace which gave a broad view. Here Henriette set up her easel and
put Phil in a rustic chair in the position that pleased her, his only
condition that he sit facing so he could watch her at work being
granted. She was the real picture to him; the one that made it worth
while to pose. He could look past her over the fields rolling away to
the horizon, with the rows of trees of the main road marching across
the foreground.
Human specks dotted the fields, women, old men, and boys who had been
at work since dawn harvesting the grain, since the able-bodied men were
away at war. A figure which he recognised approached a nearby group.
The bent backs straightened. Faintly he could hear their voices as
they passed the time of day, and then a laugh all round as Helen became
one of them in effort as well as in spirit, raking and binding the
sheaves.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account