Actors -- Fiction; England -- Fiction; Theater -- Fiction
“It is rather a delicate thing to say,” she went on, “but—well, I’m
rather particular, and I’ve been abroad for a good many years.” (She
branched aside to give a few impressions of the Antipodes.) “So, you
see, I’ve rather lost touch. What I do want to know is, are the
Cardomays quite nice people?”
Ronald supported them hotly and enthusiastically. He represented
Eliphalet as a delightful personality who, professionally, was second
only to Sir Henry Irving in the hearts of the public.
This was encouraging, but Mrs. Montmorency had not gained all the
information she required.
“And the dear young lady—such a sweet girl, I think—she’s entirely
dependent on the old gentleman, I suppose?”
“No, indeed,” returned Ronald. “She’s playing lead in an important film
production at a very substantial salary.”
“How nice! Nothing I like better than to hear of young people getting
on. I’m an old pro. myself, Mr. Knight; used to be quite a star in my
day. But, dear me! I’ve passed my turning. Thank you so much, and good
afternoon.”
“Good afternoon,” repeated Ronald, delighted to be rid of the lady of
haunting odours.
“That settles it,” said Mrs. Montmorency to herself. “It wouldn’t be
fair to me if I didn’t take the chance.”
At breakfast next day Eliphalet found a note on his plate stating that
Mrs. Montmorency would be highly honoured if he would favour her with a
call in her private boudoir at six that evening. He sent a reply to the
effect that he would be pleased to come at the time stated.
Meanwhile Mrs. Montmorency was rehearsing the reconciliation scene from
every possible mental angle. She decided to adopt the attitude of a
tired woman, sick of the world and its frivolities—a woman who yearned
for tenderness and the warmth of a home fire. Contrition there should be
in plenty—a hint of many privations, bravely borne, and a show of still
amply-filled wells of affection wherefrom a man might fill his bucket
with joy.
She ransacked her wardrobe and produced a peignoir constituting a cross
between a kimono and a Nottingham lace curtain. This garment, she felt
sure, would lay siege to any heart. With her own hands she ironed and
prepared it, then laid it aside upon the bed until the hour for dressing
should arrive. Naturally, these exertions called for stimulant, and a
bottle of brandy was broached with beneficial results. From a hidden
recess she unearthed an early portrait of Eliphalet, and this she placed
in a frame, occupied by some more recent tenant of her affections, and
hung it on the wall in her boudoir. Emma was despatched, not without
protest, to procure half-a-dozen arum lilies and half an ounce of
cachous. The lilies were bestowed in vases on the mantelshelf, and the
cachous fought a losing fight with the brandy-fumes.
All being in readiness, she mounted the stairs, abandoned her corsets,
donned the peignoir, and made what little improvements to her face were
expedient with creams and powder.
Public-domain text, read in full here on John Shaqi.
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