Actors -- Fiction; England -- Fiction; Theater -- Fiction
Eliphalet was entirely proficient in the art of love-making. It was part
of his equipment as an actor. He knew the moment to fold to his bosom
the form of an adored one, and how to brush the hair back from her
forehead with just sufficient pressure to elevate the chin to the ideal
angle for imprinting a kiss. He knew how to drop his voice to a quality
of whispering and passionate vibration. All of these services he most
faithfully rendered, with one or two minor improvements suggested by a
productive mind. Repetition, however, if pursued beyond a given margin,
is apt to weary the soul, and after a while Blanche began to yearn for
variety, and to doubt if he were indeed the ideal lover. Certain
misgivings also arose in his own mind. At first he was enveloped in the
wonder of love new-born, but as time went on he was able to detect
certain faults in the poetic composition of his destined bride. For
instance, she did not respond very rapidly to the Shakespearian
atmosphere he diligently sought to produce by passionately-delivered
quotations from _Romeo and Juliet_. She showed a marked lack of interest
in the story of Abélard and Héloise, and a greater enthusiasm at the
prospect of a donkey-ride on the New Brighton sands than a lovers’
wander in leafy solitudes. She became sick of holding hands, and more
than once told him stories the humour of which would have been better
suited to the court of Bluff King Hal.
To a sensitive mind these passages of wit were distasteful, but
nevertheless Eliphalet Cardomay remained in love with praiseworthy
constancy. He built palaces, masoned and mortared of their united
talents, and spoke of the future that should be theirs—a future which
would be spoken of in retrospect by posterity. With love and guidance he
convinced himself that Blanche would in time come to a fuller
understanding of the vast responsibility they jointly held for the
furtherance of art. He pictured her as blossoming into a great emotional
actress, and to that end tried to dissuade her from over-hilarity in
public places, and to attach less importance to such trivial pleasures
as ice-creams consumed in small Italian cafés. He spoke of the glory of
mutual understanding, reciprocity, and many other long-worded matters,
tedious to a person of light-hearted habit.
Public-domain text, read in full here on John Shaqi.
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