Actors -- Fiction; England -- Fiction; Theater -- Fiction
Eliphalet thanked him for his praises, paid for fifty cartridges, and
after carefully cleaning the two weapons, bade him good afternoon.
He took his meal at a chop-house, and ate but sparingly. When he had
finished, he called for paper and an envelope, and wrote a farewell
letter to Blanche, to be delivered should misadventure overtake him. It
was rather a grandiose composition, in which the word “honour” recurred
with some frequency. He placed it in his pocket, paid the bill, and
walked to the theatre.
The news of the challenge had spread like wildfire—even the stage hands
and cleaners were in possession of every detail. Wherever he went he was
followed by curious glances, and often after he had passed explosive but
suppressed giggles would break out. It was clear the company was
treating the affair as a joke. Personally, he could see very small
provocation for laughter, but reflecting that with trivial minds mirth
and calamity are close companions, he made no comment. He wondered
whether Harrington May would laugh next morning.
Eliphalet had quite made up his mind not to kill his antagonist, but to
place a bullet in his thigh, trusting this would prove sufficient
punishment to meet with the requirements. He wished almost that the
cause of their quarrel had been a woman of finer fibre, but that could
not be helped, and the insult to his pride was the same in any case.
The business of the play proceeded on even lines. A private affair could
not be allowed to interfere with a public duty; but once or twice he
stumbled with his words and missed a cue. Harrington May observed this,
was delighted, and noisily declared in the greenroom, during one of his
waits, that “Mother’s Boy” was in such alarm that he couldn’t “talk
straight.”
The wagonette had been ordered, and towards the end of the play had
drawn up in a side street to wait the coming of the revellers. Nearly
everyone had brought with them a warm coat or wrap, that the elements
might not interfere with their perfect enjoyment.
When the curtain fell on the last act, Eliphalet carefully dressed
himself, and was on the point of leaving his room, when Blanche came in.
“You are a little fool, aren’t you?” she said.
It is discouraging for a man about to risk his life for a lady’s sake to
be addressed in such terms. It was a time for guerdons and not rebukes.
“In what manner am I a fool, Blanche?”
“Challenging May to a duel, like that. Everyone knows about it, and is
laughing about it, too. Now, I suppose you are going to walk home as if
nothing has happened. A nice idiot it’ll make me look, and you’ll be the
laughing-stock of the theatre for ever.”
“I do not understand you.”
“Why couldn’t you punch his head, like a man, and leave it at that?”
“I do not consider to do so would be punishment enough.”
“Better than all this silly talking.”
“There has been very little talking; indeed, I ought not to be talking
now. There is not much time before the—the—appointment.”
Public-domain text, read in full here on John Shaqi.
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