Actors -- Fiction; England -- Fiction; Theater -- Fiction
Eliphalet removed his coat and looked at his watch. Ten minutes past
twelve. The waiting was trying his nerves. There should be strict
punctuality in an affair of honour. He began pacing up and down, slowly
at first, but later with a savage intensity of movement; when the
quarter past chimed, he tossed his head angrily.
“Can’t make out what’s become of May. He was almost dressed when we left
the theatre.”
“Perhaps——” began Manning, then stopped as the noise of approaching
wheels and hoofs cut crisply into the silence.
Eliphalet heard it—drew a sharp breath, and squared his shoulders in
the direction of the sound.
The excitement among the spectators leapt to fever-pitch as they heard
the vehicle come to a standstill. There immediately followed the patter
of running feet and the smart crackle of breaking twigs.
“He’s coming!”
All eyes turned towards the path as Blanche Cannon burst into view.
Without a second’s hesitation she flung herself into Eliphalet
Cardomay’s arms, gasping and crying:
“Oh, my hero, my darling hero! He was a coward—he wouldn’t meet
you—he’s run away.”
And in the exquisite relief of the moment Eliphalet folded her to his
breast in a sobbing ecstasy.
Then the company, who had remained silent for longer than their natures
allowed, broke cover and surrounded the happy pair with a chorus of
hand-shaking, back-slapping congratulations.
When the enthusiasm subsided, which was not until three a.m. that
morning, for everyone crowded to Eliphalet’s room to do him continued
honour, he was rather dismayed to find that he and Blanche were
destined, by pressure of opinion, to be made man and wife before the
month was out.
* * * * *
Surmise, therefore, O wise and prophetic reader, the disastrous results,
not alone confined to Art, that so often arise from humouring the
popular prejudice in favour of a Happy Ending.
CHAPTER III
THE CURE THAT WORKED WONDERS
Of all conventions a happy ending is the most perilous.
It intrigues people into the most improbable situations. It fawns upon
the unthinking and offends the thoughtful.
Happiness should arise from natural causes, and never be induced for the
purposes of convenience or climax.
Eliphalet Cardomay’s early life was saturated with plots which, passing
through a morass of many tribulations, invariably ended with lovers
embracing. It was as much the inevitable outcome of this saturation that
led him to commit the fatal error of making Blanche Cannon his wife as
it was to slacken his waistcoat after a repast and sink, with drooping
eyelids, into a chair beneath an open window. The first was the accepted
happy ending to a love episode, and the second the plethoric happy
ending to a meal; and in neither case did the results justify the
action.
His marriage ended sordidly in a cheap divorce; and his siesta, the one
on that particular afternoon, in a cold.
Public-domain text, read in full here on John Shaqi.
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