Actors -- Fiction; England -- Fiction; Theater -- Fiction
He was in a lift, that fierce little lift at the Army and Navy Stores.
He was a liftman—he had been a liftman for years. In another
half-second they would arrive at the first floor.
He pushed back his chair with a clatter—flung up his head, and the
words rang out:
“This is the drapery, stationery and ironmongery departmins——”
The affrighted burglars staggered back as Eliphalet rose to his feet,
and cried, “This is the jewelry, toys, games, and saddlery departmins.”
The hindmost burglar pushed his companion forward.
“Slash him, Jake!” he hissed.
The blow was struck—Eliphalet fell, and with him the curtain.
Up went the lights, and Freddie Manning rushed on to the stage.
“No calls,” he shouted. “Clear, everyone. Strike, boys!”
The big scene flats split up into sections and marched miraculously
away.
“Come on, Guv’nor.” He stretched out a hand and helped Eliphalet to his
feet.
“I think,” said Eliphalet in a dazed sort of way, “I am not very well
to-night.”
“You’re all right,” said Manning. “I’ll give you a hand to your
dressing-room.”
Half-way down the long stone corridor Eliphalet hung back and resisted.
“Dunno whether iss struck you, but I think we’re having an allfully
jolly evening, ol’ boy.”
“You get changed,” remarked Manning grimly, and handed him over to the
dresser.
When he returned to the stage he found several members of the company
talking together in animated whispers.
He at once projected himself into their midst.
“If I hear man or woman saying the Guv’nor’s drunk,” he said, “he or she
gets the sack—quick. Got that?” And, cocking his hat over his right
eye, he marched off.
Before the curtain the simple audience were discussing the play.
“What’s he mean when he says that bit about the drapery department?”
demanded the young lady.
Her companion shook her head darkly, and volunteered: “It’s the grief
’as turned ’is brain.”
“Ah! that must be it. Gone loopy like.”
Eliphalet, in his dressing-room, was in a fine rage.
“Get that cork out, d’y’hear!” he admonished. “How the deuce am I to
take med-cine with the cork in?”
“A didna knaw tha wanted any more,” said the dresser.
“’S no excuse. Get it out! My cold’s worse—mush worse. Le’s have it.”
And, snatching the bottle, he knocked off its neck and drank what
remained of the fluid.
“You don’ seem to—t’understand I’m a ver’ important pers’n—great
actor—Eliphalet Card’may. You’re a low feller—but a good chap—one of
the nicest and mos’ delightful chaps I ever met——”
“Second act beginners, please,” yelled the call-boy.
Eliphalet passed a hand over his brow. “Dear me!” he said. “I dunno.
Yes, yes—I’m coming—I’m all ri’, qui’ all ri’.”
And he made his way to the stage.
Public-domain text, read in full here on John Shaqi.
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