Actors -- Fiction; England -- Fiction; Theater -- Fiction
Well, indeed, may the happy manager who has been fortunate enough to
book a week there swell with pride as he passes the turnstile of the
Pier, without the prepayment of twopence, and sees the majestic domes
and spires of the Pavilion whitely silhouette themselves against the
turquoise Channel waters. In such inspired surroundings, with the
chuckle of sea beneath his feet, and the singing of the wind in his
ears, who could choose but feel carefree and joyous, and give
both-handedly of his artistic best?
But Eliphalet Cardomay, one of the mildest creatures God ever placed
upon earth—a man of most even temper and lovable qualities—sensitive
to an extreme of the influences of his environments—was in a dark and
forbidding mood. The beauty of the day, the music of the water, the
rococo architecture, were as nothing to him. With hands clasped behind
his back, stickless and hatless, he strode the pier boards like a man
possessed.
The importunities of peroxided young ladies who, from the vantage of
their little kiosks, besought him to buy chocolates, local views, frozen
roses—or to solve the mystery of a certain walking-stick which in adept
hands would transform itself into a useless pen—he almost rudely
ignored.
“Phtsss!” he exploded aloud. “The man’s a coward—an incompetent.”
He gripped the railings of the Pier and gazed fiercely out to sea, while
the wind played cornfields in his long grey hair.
A photographer, ever alert for fresh victims, approached and commenting
upon the favourable condition of the elements, suggested that the
gentleman might feel disposed to have a “likeness” taken.
“I do not feel disposed,” returned Eliphalet, curtly.
“I have some most amusing backgrounds,” continued the photographer, in
no wise rebuffed, and proceeded, to describe how, in his professional
opinion, Eliphalet would prove a suitable subject to place his head
through a hole in a large canvas upon which was painted an
astonishingly-clad individual riding on a rocking-horse. He wound up
with the words, “Causes roars of laughter.”
Eliphalet spun round and fixed two pin-points upon his frock-coated
persecutor.
“Are you seeking to amuse yourself at my expense?”
“No, sir—I assure you.”
“Then go away.”
But the photographer was not a man to be trifled with. His hand flew to
his hip pocket, in the manner of a mining-camp desperado, and withdrew a
neat fan of samples of his craft.
“I am sure,” he blandly ventured, “after a glance through these, I
should number you among my patrons.”
With a view to scattering the photographer’s examples upon the waves,
Eliphalet Cardomay snatched them from the extended hand; but before he
had accomplished his intention he abruptly checked himself. The top
photograph had caught his eye. It depicted a knock-kneed individual
dressed in a close-fitting striped garment, shivering upon the steps of
a bathing-machine.
“Ha!” exclaimed Eliphalet, surveying the image at the length of his arm.
“Ha!”
Public-domain text, read in full here on John Shaqi.
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