Actors -- Fiction; England -- Fiction; Theater -- Fiction
Violet O’Neal the _ingénue_, stepped out from behind an imaginary wing
and began to walk between two chalked lines on the stage, indicating the
bank of the river on one hand, and the ancient mill on the other. In the
excitement of the moment she overstepped the margins of the line.
“Don’t do that,” said Eliphalet, rising from his seat. “It is not the
intention you should fall in the water before being thrown there.”
“Back, please,” from Manning. “Once more, please.”
Violet retraced her steps and came on again with the nervous air of an
amateur walking the tightrope.
Eliphalet tapped with his stick on the brass rail of the orchestra pit.
“A little more natural grace, please,” he suggested. “And shouldn’t you
be singing here?”
“Oh, yes, I forgot.”
“Quite—but please don’t forget.”
Then Mr. Manning, “Once more, please!” And a glance at his watch, for
the stage-manager was a person who took lunch seriously.
This time she succeeded better with the manœuvre and produced a humming
sound intended to indicate a carefree damsel enjoying the evening air.
Then from the assumed shadow of the mill leapt two figures and barred
her way.
“Sir Jasper—you!” cried the girl.
“Yes, me.”
“I,” corrected Eliphalet.
“Yes, I,” amended Fieldfare. “You little counted on the pleasure of
renewing our acquaintance so soon—eh?” (Sinister words with a hint of
dark deeds behind them.)
“Please let me pass.” This imperiously from the girl.
“Pass! There is but one passing for you, and that lies there.” With a
gesture towards where the water would be on the night. “Unless——”
“I am not a child to be frightened by such threats, Sir Jasper. Stand
aside, or I shall cry for help.”
“Cry, will you?—and who will answer it? The trees—the hills—the
river?”
Mr. Cartwright placed his foot in the lowest rung of the ladder leading
to the rostrum.
Miss Maybank: “I command you to let me pass.”
Fieldfare: “You little fool! Don’t you realise that at this moment you
are utterly mine?—that I could flick out your life as easily as—er—”
he fluffed for his words, “as easily as I could crack a nut in a door?”
“What are you talking about?” interrupted Eliphalet. “Beneath my heel is
the line. Persons of quality do not crack nuts in doors.”
Fieldfare: “Crack a nut beneath my heels.”
“HEEL—singular. It is not a cocoanut that requires both feet.”
“Beneath my heel,” pursued Fieldfare with a nervousness which reflected
itself in Mr. Aloysius Cartwright’s lick-lipping, collar-in-finger
perturbation. “Choose, and choose quickly—life with me, or death, and
death alone.”
“God help me!”
“Choose.”
“Then I choose.”
Like lightning she whisked round to make good, but the second man was
upon her, and bound her wrists with cruel dexterity.
“Frank—Frank!” she cried.
Fieldfare: “Little fool! by now your Frank is in the arms of the Duchess
of Cleeve.”
“It’s a lie!”
“No, the truth. So make up your mind quickly—your lover is false to
you—which shall it be—life or death?”
Public-domain text, read in full here on John Shaqi.
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