Actors -- Fiction; England -- Fiction; Theater -- Fiction
In the Small Arms factory next door the night-watchman was making
himself comfortable against his vigil. By means of a pile of
straw-filled cases he constructed an easy-chair. The light of the small
caged gas-jet being insufficient to illuminate his Late Football Extra,
he produced from his pocket a stump of candle and waxed it to the top of
one of the cases. This done, he ensconced himself luxuriously, spread
out the paper, and settled down for a “nice read.”
Meanwhile the third act of “The Flag” proceeded. Eddies of rebellion
were already lapping against the walls of the consulate. The Colonel’s
daughter, disguised as a gipsy, had dropped from the walls and was away
in search of aid—and the audience had begun to realise that in the next
act there would be trouble, with a capital “T.” They were right.
The print of the halfpenny Football Edition, held in the hands of the
night-watchman, began to blur. Delicious little thrills of fatigue
pulsed through his limbs. He reflected how foolish he had been never
before to have disposed himself so comfortably. Also he reflected how
good that pint of dinner ale had been, partaken before coming on duty.
Odd thing he had never drunk of dinner ale before! In the future he
would remedy that omission—a rounder, mellower and more palatable
beverage would be hard to conceive. He closed his eyes and allowed his
imagination to picture the big glass tankard and the burnt Sienna
distillation it had contained. He tried to open them again but they
revolted against the impulse.
“Aft’ all,” he muttered, “aft’ all—wha’s it marrer?”
The paper slipped from his fingers and dropped to the top of the case
beside the candle. His hand made a lumbering, futile gesture to regain
it, then fell to his knee and skidded off inertly. His head rolled a
trifle, lurched forward and his body went limp. Then came the heavy
regular purr of a man breathing.
Public-domain text, read in full here on John Shaqi.
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