Actors -- Fiction; England -- Fiction; Theater -- Fiction
A capricious draught slanted the flame of the candle until it gently
touched the corner of the newspaper. Being damp, the paper burnt slowly
and only in one direction. Finally it went out, but not before setting
light to an enthusiastic wisp of straw. The straw realised at once what
was required, and passed the dancing yellow flame along the ridge of the
line of overflowing cases. The lids of the cases were screwed down and
the heat generated from the burning wisps of protruding straw was
insufficient to ignite them. This was very disappointing, for very soon
the straw had burnt out and, but for one insignificant circumstance, a
very enjoyable fire would have been lost to the neighbourhood. The
circumstance in question was provided by a stump of pencil which hung on
a string from a notice-board. A final spurt of flame from the last tuft
of straw ignited the little piece of cedar-wood, which—nothing if not
communicative—promptly conveyed its sorrow to the string supporting it.
The string burnt through and the flaming pencil dropped to the floor
upon a little heap of paper and rubbish. In these sympathetic
surroundings it received every encouragement, and in very little time
the whole pile was blazing merrily. A chance puff of wind from an open
doorway scattered fragments in three directions, in each of which a
cheerful fire resulted.
The packing-room, a few feet down the passage, where stacks of empty
cartridge-boxes were stored, was, perhaps, the most successful;
although, considering the non-inflammable nature of much of its
contents, the small recess beneath the wooden staircase competed very
creditably. The third fire was insignificant, confining itself to the
cremation of a row of overalls hanging on a line of hooks.
When the night-watchman woke, he found himself confronted with a task
beyond the reaches of his capacity. His rush to the fire rack resulted
in oversetting two buckets of water, and the flames, laughing at his
failure, tore down the ceiling of the packing-room and mounted gleefully
to the storey above.
The curtain had just risen on the last act when Mr. Gimball burst
through the iron door and almost fell upon Eliphalet Cardomay, waiting
in the wings.
“The cartridge factory next door is ablaze,” he gasped, “and the sparks
are pouring down by the box-office. Drop the iron curtain and we’ll get
the audience out.”
“At once!” assented Cardomay. “But wait a moment—if the stuff is
falling outside, will they be able to pass?”
“God! I don’t know—I doubt it.”
“There are five minutes before my entrance. Take me somewhere where I
can see—quickly.”
Mr. Gimball hurried him through the iron door and up some private
stairs. At the end of a corridor they found a window, and looked down at
the street below. Flames were pouring from the factory and the walls
bulged dangerously.
“Useless,” said Eliphalet. “We must empty the house through the
emergency exits.”
Then he remembered, and looked at Mr. Gimball with condemning eyes.
Public-domain text, read in full here on John Shaqi.
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