English fiction -- 19th century; Walker, Robert, 1710-1802
well for my sister’s future happiness, though there was an impression on
my mind, from whence gathered I could not explain, not altogether
favourable to the stranger. Perhaps, thought I, it arises from that
jealousy which is always felt towards those who are found to share in
those affections which we wish, however unreasonably, to keep solely to
ourselves. But what right had I to expect that my sister’s affections
should all her life be confined to her own domestic fire-side? I watched
them, therefore, with a mingled feeling, retire into one of the most
secluded parts of the glen, and hastened to ascend the rock under which
they had placed themselves as if to catch the last rays of the sun as
they threw a parting glance up the western opening of the dale. All
besides was black with shadow, and every singing-bird in the valley was
silent, except a solitary blackbird, who had taken his stand on the
highest twig of a towering birch that was still gilded with the light of
the sun. He whistled a few fine farewell notes to the day, and then
darted down into his thicket for the night. At that moment I heard my
sister’s well-known voice from below, soft and sweet, as if taking up the
song where the blackbird had left off his melody. The air was one
well-known in our valleys, but has not, I dare say, attracted the
attention of those caterers for the mart of music who gather up our
native melodies as men buy up our virgin honey, at a low rate, and dress
them out for higher prices, and a more fashionable circle. The words
were, I believe, her own; for she possessed a remarkable taste for
mountain ballads; or they might perhaps have been prepared for her by the
native poet, of whom I before spoke to you; for they conveyed a sentiment
which strangely harmonized with my own feelings with regard to the
stranger, and seemed to show that she, too, had her suspicions as to his
character, and was probably almost as ignorant as myself of his history.
Never did notes sound so sweetly on mine ear as at that moment did my
poor sister’s song! The time—the place—the feeling that the lines were
dictated by the true sentiments of the heart, all conspired to impress
them on my memory, and to convince me that there was a power in music to
reach the heart, which no other charm possesses, when the words, the air,
and the feeling are in perfect harmony with each other. I have prepared
for you a copy of the verses, but I cannot convey to you that which is
their greatest charm to me—the occasion on which they were first sung.
They have also been harmonized by a friend, who, like myself, has smelt
the heather in his youth, and has infused into the instrumental portion,
some of the feeling and spirit which breathed in my poor sister’s melody.
You are heartily welcome to both.
MARTHA’S SONG.
Public-domain text, read in full here on John Shaqi.
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