"But you're a damned fool to think a dish like that would have any
part of you. I don't mean you're nothing a woman would go for, but
she's more fang than female. You'd have to be richer and
better-looking than her, for one thing--"
"Not after my friends get through with her. She'll know a good man
when she sees one and I'd be what she wants." I slid my hand over my
naked scalp. "With a head of hair, I'd look my real age, which happens
to be a year younger than you, if you remember. She'd go for me--they
checked our emotional quotients and we'd be a natural together. The
only thing was that I was bald. They could have grown hair on my head,
which would have taken care of that, and then we'd have gotten
together like gin and tonic."
* * * * *
Lou arched his black eyebrows at me. "They really could grow hair on
you?"
"Sure. Now you want to know why I didn't let them." I glanced out the
window at the smoky city. "That's why. They couldn't tell me if I'd
ever get back to the future. I wasn't taking any chances. As long as
there was a possibility that I'd be stranded in my own time, I wasn't
going to lose my livelihood. Which reminds me, you have anything else
to do here?"
"There'll be a guard stationed around the house and all her holdings
and art will be taken over until she comes back--"
"She won't."
"--or is declared legally dead."
"And me?" I broke in.
"We can't hold you without proof of murder."
"Good enough. Then let's get out of here."
"I have to go back on duty," he objected.
"Not any more. I've got over $15,000 in cash and deposits--enough to
finance you and me."
"Enough to kill her for."
"Enough to finance you and me," I repeated doggedly. "I told you I had
the money before she sent me into the future--"
"All right, all right," he interrupted. "Let's not go into that again.
We couldn't find a body, so you're free. Now what's this about
financing the two of us?"
I put my fingers around his arm and steered him out to the street.
"This city has never had a worse cop than you," I said. "Why? Because
you're an actor, not a cop. You're going back to acting, Lou. This
money will keep us both going until we get a break."
He gave me the slit-eyed look he'd picked up in line of duty. "That
wouldn't be a bribe, would it?"
"Call it a kind of memorial to a lot of poor, innocent old people and
a sick, tormented woman."
We walked along in silence out in the clean sunshine. It was our
silence; the sleek cars and burly trucks made their noise and the
pedestrians added their gabble, but a good Stanislavsky actor like Lou
wouldn't notice that. Neither would I, ordinarily, but I was giving
him a chance to work his way through this situation.
"I won't hand you a lie, Mark," he said finally. "I never stopped
wanting to act. I'll take your deal on two considerations."
"All right, what are they?"
"That whatever I take off you is strictly a loan."
"No argument. What's the other?"
Public-domain text, read in full here on John Shaqi.
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