Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
It was almost dark. The larger stars had come out, and the fireflies
began to sparkle restlessly. The wind sighed in the pines, and a strong
salt smell came from the sea. Overhead a whippoorwill uttered its
mournful cry.
The long day’s work, from sunrise to sunset, was over, and the
population of the quarter had drifted in from the fields of tobacco and
maize, the boats, the carpenter’s shop, the forge, the mill, the
stables, and barns. Hard-earned rest was theirs, and they were prepared
to enjoy it. It was supper-time. In the square a great fire of
brush-wood had been kindled, and around it squatted a ring of negroes,
busy with bowls of loblolly and great chunks of corn bread. They
chattered like monkeys, and one who had finished his mess raised a chant
in which one note was a yell of triumph, the next a long-drawn plaintive
wail. The rich barbaric voice filled the night. A figure, rising,
tossed aside an empty bowl, and began to dance in the red fire-light.
The white men ate at their cabin doors, sitting upon logs of wood, or in
groups of three or four messed at tables made by stretching planks from
one tree-stump to another. It was meat-day; and they, too, made merry.
From the women’s cabins also came shrill laughter. Snatches of song
arose, altercations that suddenly began and as suddenly ceased, a babel
of voices in many fashions of speech. Broad Yorkshire contended with
the thin nasal tones of the cockney; the man from the banks of the Tweed
thrust cautious sarcasms at the man from Galway. A mulatto, the color
of pale amber, spoke sonorous Spanish to an olive-hued piece of
drift-wood from Florida. An Indian indulged in a monologue in a tongue
of a far-away tribe of the Blue Mountains.
The glare from the fire and from flaring pine-knots played fitfully over
the motley throng, now bringing out in strong relief some one face or
figure, then plunging it into profoundest shadow. It burnished the high
forehead and scalp lock of the Indian, and made to gleam intensely the
gold earring in the ear of the mulatto. The scarlet cloth wound about
the head of a Turk seemed to turn to actual flame. Under the baleful
light vacant faces of dully honest English rustics became malignant,
while the negro, dancing with long, outstretched arms and uncouth
swayings to and fro, appeared a mirthful fiend.
The three gentlefolk and their mad conductress gazed from out the shadow
and at a safe distance. Sir Charles Carew, a man of taste, felt strong
artistic pleasure in the Rembrandtesque scene before him—the leaping
light, the weird shadows, resolving themselves into figures posed with
savage freedom, the dancing satyr, the sombre pines above, and, beyond
the pines, the stillness of the stars. Betty drew a little shuddering
breath, and her hand went to clasp Patricia’s. The latter was looking
steadily upward at the slender crescent moon.
Public-domain text, read in full here on John Shaqi.
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