English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism
I. INTRODUCTORY 1
II. MARLOWE 28
III. WEBSTER 55
IV. CHAPMAN 78
V. BEAUMONT AND FLETCHER 100
VI. MASSINGER AND FORD 113
THE OLD ENGLISH DRAMATISTS
I
INTRODUCTORY
When the rule limiting speeches to an hour was adopted by Congress,
which was before most of you were born, an eminent but somewhat
discursive person spent more than that measure of time in convincing
me that whoever really had anything to say could say it in less. I
then and there acquired a conviction of this truth, which has only
strengthened with years. Yet whoever undertakes to lecture must adapt
his discourse to the law which requires such exercises to be precisely
sixty minutes long, just as a certain standard of inches must be
reached by one who would enter the army. If one has been studying all
his life how to be terse, how to suggest rather than to expound, how
to contract rather than to dilate, something like a strain is put upon
the conscience by this necessity of giving the full measure of words,
without reference to other considerations which a judicious ear may
esteem of more importance. Instead of saying things compactly and
pithily, so that they may be easily carried away, one is tempted into a
certain generosity and circumambience of phrase, which, if not adapted
to conquer Time, may at least compel him to turn his glass and admit a
drawn game. It is so much harder to fill an hour than to empty one!
Public-domain text, read in full here on John Shaqi.
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