English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism
Let me briefly analyze “The White Devil.” Vittoria Corombona, a
beautiful woman, is married to Camillo, whom she did not love. She
becomes the paramour of the Duke of Brachiano, whose Duchess is
the sister of Francesco de’ Medici and of Cardinal Monticelso. One
of the brothers of Vittoria, Flamineo, is secretary to Brachiano,
and contrives to murder Camillo for them. Vittoria, as there is no
sufficient proof to fix the charge of murder upon her, is tried for
incontinency, and sent to a house of Convertites, whence Brachiano
spirits her away, meaning to marry her. In the mean while Brachiano’s
Duchess is got out of the way by poison; the lips of his portrait,
which she kisses every night before going to bed, having been smeared
with a deadly drug to that end. There is a Count Ludovico, who had
proffered an unholy love to the Duchess, but had been repulsed by her,
and he gladly offers himself as the minister of vengeance. Just as
Brachiano is arming for a tournament arranged for the purpose by his
brother-in-law, the Duke of Florence, Ludovico poisons his helmet,
so that he shortly dies in torture. Ludovico then murders Vittoria,
Zanche, her Moorish maid, and Flamineo, and is himself shot by the
guards of the young Duke Giovanni, son of Brachiano, who break in
upon him just as he has completed his butchery. There are but four
characters in the play unstained with crime--Cornelia, Vittoria’s
mother; Marcello, her younger son; the Duchess of Brachiano; and her
son, the young Duke. There are three scenes in the play remarkable for
their effectiveness, or for their power in different ways--the trial
scene of Vittoria, the death scene of Brachiano, and that of Vittoria.
There is another--the burial of Marcello--which is pathetic as few men
have known how to be so simply and with so little effort as Webster.
“_Fran. de’ Med._ Your reverend mother
Is grown a very old woman in two hours.
I found them winding of Marcello’s corse;
And there is such a solemn melody,
’Tween doleful songs, tears, and sad elegies--
Such as old grandams watching by the dead
Were wont to outwear the nights with--that, believe me,
I had no eyes to guide me forth the room,
They were so o’ercharg’d with water.
_Flam._ I will see them.
_Fran. de’ Med._ ’T were much uncharity in you, for your sight
Will add unto their tears.
_Flam._ I will see them:
They are behind the traverse; I’ll discover
Their superstitious howling.
[_Draws the curtain._ Cornelia, Zanche, _and three other_
Ladies _discovered winding_ Marcello’s _corse_. _A song._
Public-domain text, read in full here on John Shaqi.
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