"I am not very industrious, but I work a little, read a little, play on the harpsichord, and find my time fully taken up with daily employments." There is an old song given in "Historic Landmarks of Maryland and Virginia" as being one which Nellie Custis used to sing, accompanying herself on the harpsichord. We wonder who selected for her. "THE TRAVELER AT THE WIDOW'S GATE. "A traveler stop't at a widow's Gate, She kept an Inn and he wanted to bait; She kept an Inn and he wanted to bait; But the widow she slighted her guest, But the widow she slighted her guest, For when nature was forming an ugly race, She certainly moulded the traveler's face As a sample for all the rest, as a sample for all the rest. The chambermaid's sides they were ready to crack When she saw his queer nose and the hump on his back; A hump isn't handsome, no doubt; And though t'is confessed the prejudice goes Very strongly in favor of wearing a nose, A nose shouldn't look like a snout. A bag full of gold on the table he laid, 'T had a wondrous effect on the widow and maid, And they quickly grew marvelous civil; The money immediately altered the case, They were charmed with his hump and his snout and his face, Though he still might have frightened the devil. He paid like a prince, gave the widow a smack, And flop'd on his horse at the door like a sack, While the landlady, touching his chin, Said, 'Sir, should you travel this country again, I heartily hope that the sweetest of men Will stop at the widow's to drink.'" The names of some other popular songs of this period were "The White Cockade," "Irish Howl," "Hessian Camp," "Nancy of the Mill," "Every Inch a Soldier," "When Nichola First to Court Began," "Baron Steuben's March," "Sweet Village of the Valley," "King of Sweden's March," etc. The Revolutionary echoes seemed to be still reverberating. [Illustration: Figure 89. BASS VIOL.]