The Old Furniture Book, with a Sketch of Past Days and WaysMoore, N. Hudson
History
The Old Furniture Book, with a Sketch of Past Days and Ways
Moore, N. Hudson
Furniture
71. Bedroom of Anne of Austria at Fontainebleau
72. Bed of Louis XIV at Versailles
73. Chairs of the Period of Louis XIV
74. Tapestry Furniture
75. Commodes of the Time of Louis XV
76. Garderobe Period of Louis XV
77. Bedroom of Marie Antoinette at the Little Trianon
78. Chairs and Table of Louis XVI Style
79. Encoignure, Period of Louis XVI
80. Bed of Josephine at Fontainebleau
81. Bed of Napoleon at Grand Trianon
82. Room at Fontainebleau with Historic Table
83. Empire Reading and Writing Desk
CHAPTER VIII
84. Organ in St. Michael's Church, Charleston, S. C.
85. Spinet
86. Harpsichord
87. Cristofori Piano
88. Harp
89. Bass Viol
90. Glass Harmonica
91. Geib Piano
92. Nuns Piano
93. Upright Piano
CHAPTER IX
94. Tall-Case Clocks, English
95. Three Centuries of Clocks.--Lantern, Portable, and Willard or
Banjo Clocks
96. Tall-Case Clocks, English and American
97. Mantel Clocks
CHAPTER X
98. Kitchen of Whipple House, Ipswich, Mass.
99. Handles, Escutcheons, etc.
100. Feet
CONTENTS.
CHAPTER PAGE
I. OLD OAK, OLD LEATHER, TURKEY WORK, ETC. 1
II. DUTCH FURNITURE 28
III. CHIPPENDALE 48
IV. ADAM, SHERATON, EMPIRE 73
V. COLONIAL AND LATER PERIODS 95
VI. COLONIAL AND LATER PERIODS--_Continued_ 128
VII. FRENCH FURNITURE 148
VIII. MUSICAL INSTRUMENTS 173
IX. CLOCKS 197
X. HANDLES, FEET, STUFFS, ETC. 222
INDEX 237
THE OLD FURNITURE BOOK.
CHAPTER I.
OLD OAK, OLD LEATHER, TURKEY WORK, ETC.
With the revival of interest in all "antiques," which is so widely
spread at this time, any of us who chance to own an old piece of
furniture feel an added degree of affection for it if we can give it an
approximate date and assign it to a maker or a country. There is much
good old furniture in the United States, chiefly of Spanish, Dutch and
English make, though there are constant importations of other makes,
notably French, since it is recognized on all sides that Americans are
becoming the collectors of the world. Our public museums are gradually
filling with works of art presented by broad-minded citizens, while the
private galleries are rich and increasing every day. To keep pace with
these possessions, furniture from old palaces and manor-houses is being
hauled forth and set up again in our New World homes. Indeed, whole
interiors have been removed from ancient dwellings, and the superb
carvings of other days become the ornaments of modern houses, like the
gilded oak panels from the Hotel Montmorency which were built into the
Deacon House in Boston, or like Mrs. Gardiner's Venetian carved wood
which decorates her palace in the Boston Fens.
Public-domain text, read in full here on John Shaqi.
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