The Old Furniture Book, with a Sketch of Past Days and WaysMoore, N. Hudson
History
The Old Furniture Book, with a Sketch of Past Days and Ways
Moore, N. Hudson
Furniture
After the Elizabethan period the next one of importance may be called
Jacobean. James I. encouraged his people to use chairs instead of
stools. It was not long before settles, lounges, and "scrowled chairs,"
the latter inlaid with coloured woods, crowded out the stools of former
days, and the idea of enriching the useful became the interest of
the skilled workman, and utility was no longer the measure of value.
Stools, to be sure, were still used, but they had heavy cushions of
brocade, or worked stuff, or velvet, and were hung around with a rich
fringe and with gimp, fastened with fancy nails. The arm-chairs of this
period, a fashion introduced from Venice, had the legs in a curved X
shape across the front, and chairs are still extant which were used
by James I. himself. These chairs, which are all somewhat similar in
design, were rendered still more comfortable by a loose cushion which
could be adapted to the inclination of the sitter. The bedsteads of the
period were also smothered in draperies, the tester trimmed with rows
upon rows of fringe, the head-boards, carved and gilded, being about
the only woodwork allowed to show.
As we have said, the earliest wood used, at least in northern England,
seems to have been oak. At the close of the sixteenth century there
was furniture decorated with inlays of different coloured woods,
marbles, agate, or lapis lazuli. Ivory carved and inlaid, carved and
gilded wood, metals and tortoise-shell, were used also in making the
sumptuous furniture of the Renaissance. The greatest elegance of form
and detail was observed during this century, and it declined noticeably
all over Europe, during the seventeenth century. The framework became
heavy and bulky and the details coarse. Silver furniture made in Spain
and Italy was used in the courts of the French and English kings.
Then came the carved and gilded furniture which received its greatest
perfection in Italy, though it was made throughout Europe till late in
the eighteenth century.
[Illustration: Figure 4. CHEST WITH ONE DRAWER.]
Public-domain text, read in full here on John Shaqi.
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