The low-post bed was also a very handsome piece of furniture, and in many cases the post was surmounted by a pineapple, like the example shown in Figure 62. This bed has passed through a career of violent contrasts, and it is only within a year that the four posts were rescued from a barn, where they afforded convenient roosts for poultry. The side and head and foot boards had passed entirely out of sight, no doubt in some moment of stress they had fed the family cooking-stove. The missing parts have been restored in solid mahogany, and it makes a very handsome piece of furniture. It belongs to Mr. William M. Hoyt, of Rochester, N. Y. The acanthus leaves on the lower parts of the legs are unusually handsome. The posts are 63 inches high, and the brass drops which conceal the screw-holes have been restored from a bed of the same period. An unusually elegant example of the French bed is the one given in Figure 63. This bed is of rosewood, with legs of splendidly carved dolphins, and on the side rails and rolling ends are very rich ormolu decorations cut from solid brass. The medallions directly over the legs show Fame blowing her trumpet, and the rams' heads terminating the head and foot boards where they rest upon the wood above the stars are solid brass also. This bed has been many years in this country, and stood in the bridal chamber or guest-room of the old Van Rensselaer Manor House at Albany, N. Y. This room was situated on the ground floor to the right of the front door. A most necessary piece of furniture which every housekeeper endeavoured to own was some form of "highboy," as it has come to be called, or a chest-on chest of drawers. Figure 64 depicts a fair example of the highest style of perfection to which these articles reached. Few are found more ornate than this. The wood is mahogany, and is richly carved on the knees, with the upper and lower drawers ornamented with shell and scrolls. The escutcheons and handles are original, and the only defect is the loss of the two ornaments which decorated either side of the top. The date of this chest of drawers is anywhere from 1750 to about 1780, the overlapping drawers making it more likely to approximate the earlier date. Belonging to about the same period is the corner cupboard shown in Figure 65. This is of cherry, with the broken arch-cornice and Gothic door. It has turned posts with rosettes which Sheraton often used, and the cupboard doors overlap and are panelled. The back of the cupboard is of pine, as are the shelves. The wood is a rich dark colour and unpolished. Similar pieces, though not exactly in this form, are to be met with in Virginia and are doubtless of native manufacture. [Illustration: Figure 65. CORNER CUPBOARD.] [Illustration: Figure 66. INLAID AND LACQUERED TABLE AND CHAIR.]