Christian life -- Fiction; Farm life -- Fiction; New England -- Fiction
"Oh!" exclaimed Mr. Peters, coming out from his retirement, "I am
delighted to hear it; nothing but this was wanting, my dear Chester.
I'm charmed to have been found enjoying your hospitality. Laura, my
dear, we are both charmed; my brother-in-law, the mayor, will be
charmed also--in short, Fred, we are having a charming time of it."
"I'm sure of it," answered Fred Farnham, pressing his uncle, and
looking earnestly at Mary Fuller till his face became quite serious,
then, turning to Chester, he said in a low voice, "so you keep the
poor girl; I'm glad of it--that was what brought me here."
No one had observed the artist while this interruption took place;
but as the youth stepped into the light and spoke, a vertigo seized
upon the old man, and staggering back to the wall he leaned against
it, pale and with a wild expression in his eyes. When Mrs. Peters
proclaimed the lad's name this strange agitation subsided somewhat
and took a shade of sadness, as if some train of thought had been
aroused that weighed down his spirits. He seemed to forget that his
partner waited, and sat down by the window, sighing heavily.
Mrs. Chester remarked this forgetfulness, and with a graceful smile
invited young Farnham to take the place which the old man had
abandoned. Fred smiled his assent, and the dance went on again; but
just as the young musician began to play, there came a knock at the
street door. Isabel ran down to open it, and came back with a letter
in her hand.
"It is for you, papa," she said, holding up the letter.
"Very well, put it on the mantel-piece. Some direction from the
captain or chief, I suppose," said Chester. "Come, Isabel, take your
place."
The little girl ran to her partner, and the dancing commenced again.
During this interruption, young Farnham happened to come close up
to the artist, and he was struck by the earnest gaze which the old
man fixed on him. Some strange magnetic influence was in the glance,
for it thrilled him from head to foot. He was seized with an
unaccountable desire to hear the old man speak, but all his natural
self-command forsook him. He could not find the courage to utter a
word. Those dark, earnest eyes seemed to have taken away his strength.
Joseph saw the strange pallor that had come upon his father's face,
and, laying down his violin, crossed the room.
"What is the matter, are you ill, father?" he inquired in his usual
low voice, "or is it only the light? I thought you looked pale across
the room."
The artist cast quick wild glances from his son to young Farnham.
At last he drew a heavy breath, and turned with a bewildered air to
his son.
"What did you ask, Joseph?"
"Are you in pain? What is the matter, father?" repeated the lad.
"Nothing--no; I--I am not used to this, you know," faltered the old
man. "Do not mind me, I am well."
Public-domain text, read in full here on John Shaqi.
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