The Old Inns of Old England, Volume 2 (of 2): A Picturesque Account of the Ancient and Storied Hostelries of Our Own CountryHarper, Charles G. (Charles George)
History
The Old Inns of Old England, Volume 2 (of 2): A Picturesque Account of the Ancient and Storied Hostelries of Our Own Country
Harper, Charles G. (Charles George)
England -- Social life and customs; Hotels -- England
The “Tan Hill” inn stands on the summit of Stainmoor, at a height of 1,727
feet above sea-level, and it is one of the most abject, uncompromisingly
ugly buildings that ever builder built. The ruins of a toll-house stand
near by, silently witnessing that it was once worth the while of somebody
to levy and collect tolls on what is now as unfrequented a place as it is
possible to conceive; but railways long since knocked the bottom out of
that, and for some years, until the autumn of 1903, the licence of the inn
itself was allowed to lapse, the house being first established for sake of
the likely custom from a coal-pit in a neighbouring valley, now abandoned.
The innkeeper lives rent free, with the half of his licence paid on
condition of his looking after that now deserted mine.
But there is one day in the whole year when the “Tan Hill” inn wakes to
life and business. That is the day of Brough Horse Fair, and the traffic
then is considerable: the only vestige of the former business of the road
now left to it by the Bowes and Barras Railway.
[Illustration: THE “CAT AND FIDDLE,” NEAR BUXTON.]
Between Macclesfield and Buxton--five miles from Buxton and seven from
Macclesfield--just, by about 1,500 yards--in Cheshire, although commonly
said to be in Derbyshire, stands the next highest inn, the “Cat and
Fiddle,” at a height of 1,690 feet. It is only a little less
dreary-looking a house than that of “Tan Hill,” and wears a weather-beaten
air earned by the fierce storms and snow blizzards to which it is in
winter exposed. The wooden porch and the double doors within are necessary
outposts against the wind. In the winter the inhabitants are sometimes
weatherbound for days at a time, and generally take the precaution of
laying in a stock of provisions. One may no more visit Buxton without
going a pilgrimage to the “Cat and Fiddle” than it would be reasonable to
visit Egypt and not see the Pyramids; and consequently, however lonely the
place may be in winter, it is in summer visited by hundreds of trippers
brought in waggonettes and brakes named after advertising generals and
other puffed-up bull-frogs of the hour. The manner and the expressions of
those trippers form an interesting study. You see, plainly enough, that
they are bored and disillusioned, and that they wonder, as they gaze upon
the hideous house, or over the wild and forbidding moorland and
mountain-peaks, or down into the deep valleys, why the devil they came at
all; but they are all slaves of convention, and merely wait patiently
until the time for returning happily comes round.
There surely never was so demoniac-looking a cat as that sculptured here.
Of the derivation of the sign there are, of course, several versions, the
local one being that the sixth Duke of Devonshire was especially fond of
this road, and used often to travel it with his favourite cat and a
violin!
Public-domain text, read in full here on John Shaqi.
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