But now, in spite of this tradition, history is more backward in
Ireland than in any other country. Here alone there is a public opinion
which resents its being freely written, and there is an opinion, public
or official, I scarcely know which to call it, which prevents its being
freely taught. And between the two, history has a hard fight for life.
Take the question of writing. History may conceivably be treated as
a science. Or it may be interpreted as a majestic natural drama or
poem. Either way has much to be said for it. Both ways have been nobly
attempted in other countries. But neither of these courses is thought
of in Ireland. Here history has a peculiar doom. It is enslaved in the
chains of the Moral Tale--the good man (English) who prospered, and the
bad man (Irish) who came to a shocking end--the kind of ethical formula
which, for all our tutors and teachers could do, never deceived the
generosity of childhood. The good man in the moral tale of Ireland is
not even a fiction of Philosophy or of History. He is, oddly enough,
the offspring of Grammar alone, and carries the traces of his dry
and uninspired pedigree. He owes his being, in fact, to the English
dislike for a foreign language. The Gael, as we know, ever faithful
to the tradition of his race, while he sang and recited and wrote and
copied his story with an undying passion, did these things in his own
speech. The Norman or “Frank” settlers, true “citizens of the world,”
adopted his tongue, his poetry, and his patriotic enthusiasm. When the
English arrived, however, they according to their constant insular
tradition refused to learn a strange language, so that the only history
of Ireland they could discern was that part of it which was written
in English--that is, the history of the English colonists told by
themselves. On this contracted record they have worked with industry
and self-congratulation. They have laid down the lines of a story in
which the historian’s view is constantly fixed on England. All that the
Irish had to tell of themselves remained obscured in an unknown tongue.
The story of the whole Irish population thus came to be looked on as
merely a murky prelude to the civilizing work of England--a preface
savage, transitory, and of no permanent interest, to be rapidly passed
over till we come to the English pages of the book. Thus two separate
stories went on side by side. The Irish did not know the language
which held the legend of English virtue and consequent wealth. The
English could not translate the subterranean legend of Irish poetry,
passion, and fidelity. Religion added new distinctions. Virtues were
Protestant, the sins of the prodigal were Catholic. Finally, class
feeling had its word. The upper class went to their university, and
their manners and caste instincts entitled them as of course to the
entire credence of their own social world; the lower class were alleged
to be men whose manners were common and their prejudices vulgar.
Public-domain text, read in full here on John Shaqi.
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