The design of the new owner was to bring the people of Ardglass and
the Lecale of Down into touch with the Irish past, and give them some
conception of the historic background of their life. For it must be
remembered that through all conquests and plantations the people of
the soil of Lecale have still remained of the old stock, an Irish
people who have a natural country to love. For them there need be none
of the perplexities which must confront those who in their successive
generations of life in Ireland still consent to be designated by _The
Times_ as “the British Colony on the other side of St. George’s
Channel.” I was present on the Saturday night when the ruin was opened
to the people. There was no moon, and a gale was blowing down the
Irish Sea--a wind from the north. A little platform was set against
the sheltered west wall of the castle. A beacon flamed on one of the
towers, and the ceremony began with a display of limelight pictures
on the wall. I was in the middle of an audience packed as tight as
men could stand in the castle yard and across the wide street. There
had been no public announcements and no advertisement. But word had
passed round the people of Lecale, and it seemed as if thousands had
gathered under the resplendent stars. “I do not mean to show you,”
said Mr. Bigger, “China or Japan; I mean to show you Ardglass.” The
audience went wild with delight to see their fishermen and women, their
local celebrities, the boats laden with fish, the piles on the pier,
the Donegal girls packing them, the barrels rolled out to the tramp
steamers. But the delight reached its utmost height at views of the sea
taken from a boat out fishing, the dawn of day, the early flight of
birds, the swell of the great waters. The appeal of beauty brought a
rich answer from the Irish crowd.
Then there was Irish dancing and singing on the little platform, with
the grey wall of the castle as a background and the waving ivy branches
and tree shadows in the limelight, a scene of marvellous light and
shade. But the great moment of all came when a huge Irish flag was
flung out on the night wind from the Columba tower. I have never seen
so magic a sight. Lights blazed from the castle-roof, rockets flamed
across the sky, and in the midst suddenly appeared like a vision
among the host of stars (for no flag-staff could be seen against the
night-sky) a gleaming golden harp hanging secure in immensity, crossed
and re-crossed by balls and flames of fire, so that it seemed to escape
only by a miracle.
Public-domain text, read in full here on John Shaqi.
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