The old lady shows her medalsBarrie, J. M. (James Matthew)
General
The old lady shows her medals
Barrie, J. M. (James Matthew)
World War, 1914-1918 -- Drama
He does not look so formidable as when last we saw him, and this is
perhaps owing to our no longer being hunched with others on those
unfeeling benches. It is not because he is without a wig, for we saw
him, on the occasion to which we are so guardedly referring, both
in a wig and out of it; he passed behind a screen without it, and
immediately (as quickly as we write) popped out in it, giving it a
finishing touch rather like the butler’s wriggle to his coat as he goes
to the door. There are the two kinds of learned brothers, those who use
the screen, and those who (so far as the jury knows) sleep in their
wigs. The latter are the swells, and include the judges; whom, however,
we have seen in the public thoroughfares without their wigs, a horrible
sight that has doubtless led many an onlooker to crime.
Mr. Torrance, then, is no great luminary; indeed, when we accompany
him to his house, as we must, in order to set our scene properly, we
find that it is quite a suburban affair, only one servant kept, and
her niece engaged twice a week to crawl about the floors. There is no
fire in the drawing-room, so the family remain on after dinner in the
dining-room, which rather gives them away. There is really no one in
the room but Roger. That is the truth of it, though to the unseeing eye
all the family are there except Roger. They consist of Mr., Mrs., and
Miss Torrance. Mr. Torrance is enjoying his evening paper and a cigar,
and every line of him is insisting stubbornly that nothing unusual is
happening in the house. In the home circle (and now that we think of
it, even in court) he has the reputation of being a somewhat sarcastic
gentleman; he must be dogged, too, otherwise he would have ceased long
ago to be sarcastic to his wife, on whom wit falls like pellets on
sandbags; all the dents they make are dimples.
Mrs. Torrance is at present exquisitely employed; she is listening to
Roger’s step overhead. You know what a delightful step the boy has. And
what is more remarkable is that Emma is listening to it too, Emma who
is seventeen, and who has been trying to keep Roger in his place ever
since he first compelled her to bowl to him. Things have come to a pass
when a sister so openly admits that she is only number two in the house.
Remarks well worthy of being recorded fall from these two ladies
as they gaze upward. ‘I think--didn’t I, Emma?’ is the mother’s
contribution, while it is Emma who replies in a whisper, ‘No, not yet!’
Mr. Torrance calmly reads, or seems to read, for it is not possible
that there can be anything in the paper as good as this. Indeed he
occasionally casts a humorous glance at his womenfolk. Perhaps he is
trying to steady them. Let us hope he has some such good reason for
breaking in from time to time on their entrancing occupation.
‘Listen to this, dear. It is very important. The paper says,
upon apparently good authority, that love laughs at locksmiths.’
Public-domain text, read in full here on John Shaqi.
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