The old lady shows her medalsBarrie, J. M. (James Matthew)
General
The old lady shows her medals
Barrie, J. M. (James Matthew)
World War, 1914-1918 -- Drama
‘The courage of those young things!’ says the happy Colonel.
Dering’s underlip becomes very pronounced, but he goes off into
the garden. Barbara attempts to attend to the Colonel’s needs.
‘Let me make you comfy--the way granny does it.’
She arranges his cushions clumsily.
‘That is not quite the way she does it,’ the Colonel says
softly. ‘Do you call her granny, Barbara?’
‘She asked me to--for practice.’ Barbara is curious. ‘Don’t you
remember why?’
Of course the Colonel remembers.
‘I know! Billy boy.’
‘You _are_ quick to-day. Now, wait till I get your cane.’
‘I don’t need my cane while I’m sitting.’
‘You look so beau’ful, sitting holding your cane.’ She knocks
over his cushions. ‘Oh dear! I am a clumsy.’
Politely, ‘Not at all, but perhaps if I were to do it for
myself.’ He makes himself comfortable. ‘That’s better. Thank
you, Barbara, very much.’
‘_I_ didn’t do it. I’m all thumbs. What a ghastly nurse I
should make.’
‘Nurse?’ The Colonel’s troubles return to him. ‘Who is she,
Barbara?’
‘Who is who, dear?’
‘That nurse?’
‘There’s no nurse here.’
‘Isn’t there?’
Barbara feels that she is of less use than ever to-day. ‘Where
is granny?’
‘She has gone down to the village to a wedding.’
‘There’s no wedding. Who could be being married?’
‘I think it’s people I know, but I can’t remember who they are.
I thought you went too, Barbara.’
‘Not I. Catch me missing it if there had been a wedding!’
‘You and the nurse.’
‘Dear, you have just been imagining things again. Shall I play
to you, or sing?’ She knocks over a chair. ‘Oh dear, everything
catches in me. Would you like me to sing “Robin Adair,” dear?’
The Colonel is polite, but firm. ‘No, thank you, Barbara.’
For a few moments he forgets her; his mind has gone wandering
again. ‘Barbara, the house seems so empty. Where are Billy and
Karl?’
‘Billy is where Karl is, you may be sure.’
‘And where is Karl?’
‘He is where Billy boy is, you may be sure.’
‘And where are they both?’
‘Not far from where Barbara is, you bet.’ She flutters to the
window and waves her hand. ‘Do you hear Karl’s flute? They
have been down all the morning at the pool where the alder is,
trying to catch that bull-trout.’
‘They didn’t get him, I’ll swear!’
‘You can ask them.’
‘I spent a lot of my youth trying to get that bull-trout. I
tumbled in there sixty years ago.’
‘I tumbled in sixty minutes ago! It can’t be the same trout,
dear.’
‘Same old rascal!’
Billy and Karl come in by the window, leaving a fishing-rod
outside. They are gay, careless, attractive youths.
BARBARA, with her nose in the air, ‘You muddy things!’
COLONEL, gaily firing his dart, ‘Did you get the bull-trout, Billy boy?’
BILLY. ‘He’s a brute that.’
COLONEL. ‘He is, you know.’
Public-domain text, read in full here on John Shaqi.
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