The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of TieckTieck, Ludwig
General
The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of Tieck
Tieck, Ludwig
German fiction -- Translations into English
"If I must," stammered Antonio, while in spite of his grief a smile
curled his lips, "those two teeth are ... to my mind...."
"Ha, ha!" cried the old woman laughing aloud, "my two dear good old
black teeth are what pleases you the least about me. I can well
believe it: they stand like two scorcht palisades among the ruins of a
fortress in the wide empty space there. But you should have seen me
ten years back; then matters were much worse still. In those days I
had a whole mouth full of such portentous grinders; and they who loved
me would say it lookt frightful. Well, one by one they fell out, and
these two alone are left behind the last of all their race. When they
are once gone, my jaws will clap together like two doors, the upper
lip will grow just thrice as long, and again one can't tell what sort
of a face will come of it. Time, my dear young friend, is, as somebody
found out many many years ago, a bungling workman; he makes a creature
pretty enough; then he daubs and trims and pares and pulls and
squeezes the thing about, draws the nose and chin out of their
sheaths, knocks in the cheeks, eats ruts into the forehead, till he
has turned it into a scarecrow; and then at last he gets ashamed,
smashes the whole wretched concern to pieces, and shovels it over with
earth that all the world may not see his disgrace. Your cheeks too,
smooth and polisht as they are, will not be so like a roseleaf by and
by. Here! let me look! verily you have the rarest pearls of
toothikins! a pity they must be used in chewing bread and roast beef.
Hey, hey! shew them to me ... wider open with the mouth ... but they
stand very oddly ... hem! and that eyetooth! there is meaning in all
that."
Antonio knew not whether to scold or laugh; however he constrained
himself to be calm, and to let the old woman have her chatter; for
owing, as it seemed, to her former acquaintance with his family, she
possest a strange power over him. But how did he start with amazement
when she suddenly cried out: "Crescentia!"
"For Heaven's sake!" he said, almost breathlessly: "do you know her?
can you see her? can you tell me anything about her?"
"What's the matter with you?" howled the old woman: "how can I help
knowing her, seeing she is my own daughter? Only look yourself how the
lazy slut has fallen asleep in her chair there, and lets the fire go
out and the soup get cold."
She took up the lamp and went to the chimney; but what were the
youth's feelings, when again for the second time on that day he beheld
his beloved, almost the same as in the evening? Her pale head lay
dropt back; her eyes were closed; every feature, even the dark
tresses, were those of his bride; just so were her little hands
folded, and just so did she too clasp a crucifix between them. Her
white dress helpt to increase the illusion; the flowers alone were
wanting; but the dusk wove something like wreaths of dark heavy
foliage around her hair.
"She is dead!" sighed Antonio gazing fixedly upon her.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account